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Kitting Out Your MoVI for Cinematic Capture

How we’re kitting out the MōVI on Fathers and Daughters.

Deadfall’s Camera Breakdown: Artistry Meets Organization

Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the whole movie-organize, create, and schedule it in a way that is best for light.

Contest – Where’s the GoPro in Need for Speed?

Find the GoPro Hero 3 shots in the new Need for Speed SuperBowl Trailer and enter to win.

Red Epic vs. Canon C500

These extensive tests between the Red Epic and the Canon C500 were conducted over three days with seven other cameras.

Elite Team Member Tim Holterman: The DP6 and the Oracle "SmartLapse" System

As we blaze the cinematic trail we are always on the lookout for the best gear possible. Recently the guys over at SmallHD sent us the brand new DP6 Monitor. We haven’t had time to put it through any grinding tests but so far it looks pretty useful. For its lightweight size (5.6″), it’s a powerhouse.

The Making of The Janitor Sequence From “The Last 3 Minutes”

When Canon and Hurlbut Visuals teamed up on this joint venture, we wanted to put together a trilogy of Behind the Scenes videos where I narrated about what goes on inside my head as a cinematographer. We also wanted to show that even though there is a planning process…

Still Lenses That Can Grace The Big Screen

On the still lens front, you have a variety of options. I am addressing this topic from a 40 foot screen digital projection perspective, not a still photography one.

Zeiss ZE primes rock. Their resolution is spectacular and they are lightweight. Their focus is a little more cinematic then…

Canon Lenses Create Beautiful Skin Tones

When choosing a lens for the Canon 5D Mark II camera you have to consider the look and feel that you are trying to create for the final visual product. My team and I have tested and played with these lenses quite a bit and here is…

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

Steve Tiffen of Tiffen Filters Hurlblog Interview: The Tiffen Company

In November of last year I had the pleasure of interviewing Mr. Steve Tiffen of the Tiffen Company [...]

HDSLR Challenges: Working With a Still Lens

Shane Hurlbut, ASC discusses lenses and the challenges of working with a still lens.

Panavision Primo Primes: Cinema Quality Imagery

Panavision Primo Primes are the ultimate lenses. They produce cinema film quality imagery that will blow you away. The contrast range is perfect because you have all of the highlight detail, as well as wonderful gradation into the shadows.

Lighting with Home Depot Lights: Part 2

A few weeks ago, I wrote a blog post about my lighting package that looked like an aisle inside

Final Days of Deadfall: Giving the Stag Horn Saloon Life, Texture, and Color: KINO FLO

It is so sad saying goodbye to Montreal. I love this amazing city. The crew was the [...]

The Buzz About Plasma Light Tech: Hive Lighting

A few weeks ago, I shot a run and gun style web series and the generous team over at Hive Lighting gave me one of their units to demo. Plasma light technology is pretty incredible.

Creating a Beauty Light with a Book Light

My Book Light tutorial on how to build it and why it is so useful. Plus, how I got started in this business.

Lighting Series Number 2: Going Inside the Hallowed Walls of a Secret Society on "The Skulls"

When Rob Cohen asked me to shoot his next feature after we finished “The Rat Pack,” I was ecstatic. I could not wait to get the script. He told me that it was a thriller about the Skull and Bones Secret Society at Yale.

Lighting: An inside look into "The Rat Pack"

21 months ago I never could have predicted the direction of my life. With the invention of the 5D camera, I started to understand that creating the look of “digital film” took an of the box thought process and my collective experience as a cinematographer. I did not anticipate how much I would enjoy sharing and giving back through teaching because…