- Projects / Films
Tim was the second place winner for our “Where’s the 5D”...
Waiting for Lightning, a documentary about pro skateboarding pioneer Danny Way, began production in 2008. Over the course of those four years, the documentary would embrace the modern evolution of camera systems to complete the project.
I have been asked by many of our readers to share details regarding my personal Gear Bag. I use a vast array of tools to be able to tell all types of stories. I wanted to break it down with detail.
American Cinematographer recently produced a podcast about shooting Deadfall — “going inside the visual landscape of a suspense filled winter wonderland.”
The NeedCreative Podcast is an online radio show that covers topics related to creativity. I had the privilege of being the guest of co-hosts Paul Antico and Jason Sidelinger from Anticipate Media to discuss my history and experiences in the film industry.
When I stumbled onto this HDSLR technology, I realized within minutes of using the technology that it was a “game changer” and the rulebook had to be thrown out and a new one created.
I thought if we can start a new rulebook…
When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.
Using the right filtration to impose a mood, create a style, encapsulate a time period or just to cream a woman’s skin can be a very powerful visual tool. The first diffusion I go to time and time again, whether it is film or HD, is smoke.
Color correction gels can be used many ways, but what I will discuss is how to use them in subtle ways to create color contrast with the new digital sensors.
What I think about when I am blocking a scene and my preferences on how to work from the master to the close-up.
When Rob Cohen asked me to shoot his next feature after we finished “The Rat Pack,” I was ecstatic. I could not wait to get the script. He told me that it was a thriller about the Skull and Bones Secret Society at Yale.
A few weeks ago, I wrote a blog post about my lighting package that looked like an aisle inside
In January of 2011, I was asked by “The Gentlemen,” Brett Snider and Billy Federighi, a very creative and humorous, directing at Bandito Brothers, to shoot a series [...]
How we shot the action sequences for a series of Trane AC commercials with extreme heat and a bus crash.
In the world of HDSLR technology, media management is a very important position. Every Elite Team member has held this position at some point during the untitled Navy Seal Movie to gain an understanding of HD image capture in a small footprint work-flow system.