- Projects / Films
Here is a little instructional video from our Hurlbut Visuals HDSLR Bootcamp. A huge thanks to editor Chris Fenwick (Slice Editorial) for taking the time to cut this footage!
I have talked in the past about the power of the hybrid approach. Taking the best from still photography and the best from motion picture photography and colliding them….
The approach to selecting cameras for Need for Speed. It’s about each camera’s unique abilities and how to use those abilities to your advantage.
I treat each new digital camera that comes out as a new film emulsion, one that needs to be tested before I can use it to help tell my stories. The first step is to find the sensitivity of the sensor.
From an extra, to an actor, to a runner, to a production assistant, then a camera assistant, and now as a cinematographer, James Oldham climbed the “film hierarchy” because he knew he needed to do everything and anything to get to where he wanted to be in the industry.
I am frequently asked how we get so many set ups in a day and how we stay on schedule and budget while shooting. The answer is my Elite Team. I am nothing without my team and they make me shine everyday.
Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.
Tests with the newest Leica Summilux C lenses vs. the gold standard Cooke S4s for Fathers and Daughters.
Here is the breakdown for the Mountain Rescue portion of Navy Swimmer.
– 1-camera in deep water housing which captures underwater and split level shots
– 1-camera mounted on the Navy Swimmers helmet to capture him exiting the helicopter and being lowered down in between the rocks…
Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.
Working with less is how I like to light. On We Are Marshall, I challenged myself and my team to think about how we could light a major night exterior in the rain with just two lights.
A few weeks ago, I shot a run and gun style web series and the generous team over at Hive Lighting gave me one of their units to demo. Plasma light technology is pretty incredible.
Meet the Cinematography Intern DREAM TEAM by Shane Hurlbut The...
More camera tests between the Blackmagic Cinema Camera, Arri Alexa and Sony F5
We all have seen the documentary style and how it looks and feels with real people. The director, Xander over at Backyard Productions, had a different idea and it was so unique and fun to shoot that I wanted to share it with all of you.
Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.