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HDSLR Cinematographer Starter Kit

Shane Hurlbut, ASC discusses what you need to work on the HDSLR platform.

Contest – Where’s the GoPro in Need for Speed?

Find the GoPro Hero 3 shots in the new Need for Speed SuperBowl Trailer and enter to win.

The Cineped: Full 360° Rotatable Slider

As a cinematographer, movement is an integral part of conveying your creative vision and the storytelling process. Whether subtle or dramatic, it’s another tool in your box of creative options.

Using a Crane: Educating your Audience on Geography & the Art of Discovery

Crane moves can give you scope, geography and the sense of discovery. Understand why you are doing it first, not just because it looks cool.

Podcast on Selecting Cameras for Need for Speed

The approach to selecting cameras for Need for Speed. It’s about each camera’s unique abilities and how to use those abilities to your advantage.

Act of Valor: A Case Study in Out of the Box Filmmaking

I spoke at “Adobe Tips and Flicks” in 2012 about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor.

"The Last 3 Minutes" Canon 5D 24p Firmware Shines

As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.

Shane’s Gear Bag

I have been asked by many of our readers to share details regarding my personal Gear Bag. I use a vast array of tools to be able to tell all types of stories. I wanted to break it down with detail.

Hurlblog Interview I: Dr. Scherle Shares the History of Zeiss and Sheds Light on the Future

Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.

Zeiss Lenses: Sharp and Snappy

Lenses are one of the most critical choices when you are mounting the Canon 5D Mark II to a lens. Do not treat this camera like it is a film body. Remember to mount the camera to the lens, not the opposite.

Tiffen and HV Collaborate To Make Extraordinary Images with Water White Glass

When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.

Diffusion for the Digital Age – Using Smoke

Using the right filtration to impose a mood, create a style, encapsulate a time period or just to cream a woman’s skin can be a very powerful visual tool. The first diffusion I go to time and time again, whether it is film or HD, is smoke.

How to Light for Specific Camera Blocking: Master to Close-Up

What I think about when I am blocking a scene and my preferences on how to work from the master to the close-up.

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

Lighting Series Number 4: Extending Dawn on the Practice Field in “DrumLine”

My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.

Lighting with Home Depot Lights: Part 2

A few weeks ago, I wrote a blog post about my lighting package that looked like an aisle inside

The Illumination Experience Educational Tour

Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.

Building the Perfect Key Light

After my blog post about lighting from your local hardware store, I wanted to take it one step further [...]

The Most Customizable On-Camera Monitor Available