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Camera Configurations: Your Best Ally

Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and crews that ever. One way to meet that need is by increasing your speed without sacrificing quality. Specifically, when using Canon 5D Mark II camera for a project…

Canon 5D MK II & The Video Village Challenge

At first glance with the Canon 5D you notice one thing, the minute you plug a mini HDMI cable or a 1/8” mini plug into the outputs on the camera, your LCD screen disappears. It is like a sick magic trick that for some reason, not one person can figure out.

Digital Cinematography vs Film: Tides are Turning

As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.

A New Zealand Filmmaker Showcased for the Hurlbut Visuals Filmmaker’s Spotlight

Meet Andrew Stroud, a filmmaker from New Zealand.

Filmmaker’s Spotlight – Tenebrae Lux

Ryan Boran is an inspiration to the indie filmmaking community, and we want to congratulate him for getting selected for this month’s Filmmakers Spotlight.

Responsible Filmmaking

When I stumbled onto this HDSLR technology, I realized within minutes of using the technology that it was a “game changer” and the rulebook had to be thrown out and a new one created.

I thought if we can start a new rulebook…

Polarizing Filters: Powerful Filmmaking Tools

My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.

Using Color Correction Gels with New Digital Cameras

Color correction gels can be used many ways, but what I will discuss is how to use them in subtle ways to create color contrast with the new digital sensors.

Crash Cam: Filmmaking Inside the Box

Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.

Lighting: An inside look into "The Rat Pack"

21 months ago I never could have predicted the direction of my life. With the invention of the 5D camera, I started to understand that creating the look of “digital film” took an of the box thought process and my collective experience as a cinematographer. I did not anticipate how much I would enjoy sharing and giving back through teaching because…

Final Days of Deadfall: Giving the Stag Horn Saloon Life, Texture, and Color: KINO FLO

It is so sad saying goodbye to Montreal. I love this amazing city. The crew was the [...]

The Buzz About Plasma Light Tech: Hive Lighting

A few weeks ago, I shot a run and gun style web series and the generous team over at Hive Lighting gave me one of their units to demo. Plasma light technology is pretty incredible.

Your 4K Pro Recording Solution for the Canon C500

The Codex S Recorder is incredibly lightweight and gives you assurance that your negative is under lock and key. See how we are using it on Need for Speed.

Color Correction: Put Your Best Foot Forward

My first experience with the 5D DI color correction was for the Terminator Webisodes produced by the Bandito Brothers through Wonderland Sound and Vision. McG asked me to be the Director/Cameraman for these alternative marketing shorts that were going on the Internet.

Canon 5D Still a Workhorse for Micro-Budget and Multi-Camera Shoots

The Canon 5D Mark II opened the floodgates to new and creative filmmaking three years ago and is still going strong today. They remain a reliable workhorse for many cinematic options, particularly micro-budget, multi-camera shoots.