- Projects / Films
Blackmagic graciously supplied a camera for testing. We pushed and pulled this baby to see when it would break as well as where it excelled.
The Canon 5D Mark II is approximately 2.5 pounds with a still lens, 4.5″ high 3″ deep and 6″ long. Wow!
It is nimble and inexpensive so you can have multiple camera bodies working in different configurations simultaneously. Not being stuck with a traditional shoulder mount allows you to create a new visual language.
Shane’s suggested menu settings for using the Canon 1DC as a cinematic movie maker.
In May of last year I was hired to shoot a web interactive game for Yahoo sports in the LA Coliseum. The Director Jason Zada…
Sunday, April 6, 5:00pm-6:30pm West Wing Bar Inside the MGM Grand Hotel...
Hurlblog Collaborators, It is that time of year again. We want to improve the HURLBLOG with more comprehensive content […]
In November of last year I had the pleasure of interviewing Mr. Steve Tiffen of the Tiffen Company […]
We demo the power of the glass filter, including the ones that I use and their wonderful benefits.
When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.
Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.
The current spot was for El Pollo Loco, and the concept was a very action oriented camera, with snap zooms and quick handheld push ins and pull outs. I thought the Canon C300 would be the perfect camera for this job, lightweight and maneuverable.
Lighting so that you can tell your stories with realism and accurate color temp.
When director Scott Waugh called me to shoot the video for the “Act Of Valor” credit crawl song “For You” by Keith Urban, I was excited to have the opportunity to get the whole Elite Team back together. It was equally exciting to hear Keith’s amazing song, which supported the story perfectly.
By Po Chan. Shane and I have always said that The Ticket is a love story between art and science. I think the true beauty of art, as well as the art of cinema, is the power to communicate with people on a subconscious emotional level.
Wow, what a ride this last 18 months has been! I find myself at the fore front of a technology that I know in my heart will change the way we EVENTUALLY make movies in Hollywood, but what is so exciting is that this is not a Hollywood story.
Popular Posts This Month
Here are the apps that I wish I had when I was a budding young filmmaker to help navigate the waters.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Your first point of lighting is your key light, which is the light that exposes the face.
As a cinematographer, you are always asked to make compromises. With Gabriele Muccino’ s vision and my ideas for lighting and camera, we were taxing the budget to the absolute limit.
. Our director, Gabriele Muccino saw these videos with the MoVI, and we wanted to come up with the shot that showed the unique ability to be able to pass this camera off from one operator to the other.
It’s time for the November Inner Circle podcast, where I answer your questions. This month, the podcast is themed around lighting questions, and I’ve included the actual questions below....