- Projects / Films
I am on the road again directing for Bandito Brothers www.banditobrothers.com/ and loving it. As a filmmaker, I am taking advantage of this inspiring, creative tool (a 5D camera) while stretching the budget. Our goal is to show the influence of the Marines around the globe while…
We have so many new digital tools at our disposal that you cannot just pick them up and start shooting with them. Treat your new digital camera like a new film emulsion that needs testing.
Tim was the second place winner for our “Where’s the 5D”...
I’m really pleased to be a judge for the 2014 Sony PROduction Awards.
Many of you have asked for feedback on your latest work of art. Here is your opportunity. We are now launching the HV Filmmaker’s Spotlight.
In the winter of 2012, I had the amazing opportunity to teach side by side with a gifted storyteller. Patrick Moreau and I were both speaking for Canon, educating about how we were similar (filmmakers and storytellers) and different in our unique approaches.
I love lenses and examining the subtle differences with each one so I am confident in the resulting image.
Nikon lenses are sharp with a little softer contrast than the Zeiss lenses. The older A lenses are nice because they have a wider
On the still lens front, you have a variety of options. I am addressing this topic from a 40 foot screen digital projection perspective, not a still photography one.
Zeiss ZE primes rock. Their resolution is spectacular and they are lightweight. Their focus is a little more cinematic then…
The lens’ traits can help tell your story. The look and feel of lenses, their characteristics of color and contrast rendition, are all relevant factors.
Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.
After my blog post about lighting from your local hardware store, I wanted to take it one step further […]
When Rob Cohen asked me to shoot his next feature after we finished “The Rat Pack,” I was ecstatic. I could not wait to get the script. He told me that it was a thriller about the Skull and Bones Secret Society at Yale.
The Canon 5D Mark II opened the floodgates to new and creative filmmaking three years ago and is still going strong today. They remain a reliable workhorse for many cinematic options, particularly micro-budget, multi-camera shoots.
As filmmakers, we have such an opportunity to tell small stories like Richard’s and it doesn’t take a lot of gear.
On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.
Popular Posts This Month
Here are the apps that I wish I had when I was a budding young filmmaker to help navigate the waters.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Your first point of lighting is your key light, which is the light that exposes the face.
As a cinematographer, you are always asked to make compromises. With Gabriele Muccino’ s vision and my ideas for lighting and camera, we were taxing the budget to the absolute limit.
. Our director, Gabriele Muccino saw these videos with the MoVI, and we wanted to come up with the shot that showed the unique ability to be able to pass this camera off from one operator to the other.