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The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

"The Last 3 Minutes" Canon 5D 24p Firmware Shines

As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.

The Power of Focus

Focus is probably one of the biggest obstacles that the 5D encounters. So many of our colleagues have questions and wonder why it is absolutely essential to have a focus puller. They are the backbone of this amazing technology. Shooting with practical…

Twitter Winner Charles Elmore To Attend Hurlbut Visuals HDSLR Bootcamp

A big congratulations to our HDSLR Bootcamp Contest winner Charles Elmore of Tulsa, Oklahoma! Charles will be attending our HDSLR Bootcamp in LA from August 28-29, 2010. We’ve gotten to know a little bit about who he is, his background in film …

The KNOW Tour by StillMotion

In the winter of 2012, I had the amazing opportunity to teach side by side with a gifted storyteller. Patrick Moreau and I were both speaking for Canon, educating about how we were similar (filmmakers and storytellers) and different in our unique approaches.

Meeting With Students At Emerson College

What a fun time it was last week at Emerson College! Professor Bosmajian’s advanced cinematography class was fantastic! I showed footage from the undercover Navy SEAL movie to have the students take each shot apart to analyze both the lighting and photography.

Hurlblog Interview I: Dr. Scherle Shares the History of Zeiss and Sheds Light on the Future

Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.

How Lenses Assist Storytelling: Part Three

Mr. 3000 Camera Lens Restraint. How different lenses, lighting and color help assist in storytelling.

Why Do We Want Flat Glass?

Tests with the newest Leica Summilux C lenses vs. the gold standard Cooke S4s for Fathers and Daughters.

Lighting Series Number 4: "Into the Blue" Sunset for Hours

When John Stockwell asked me to do a film set in the Bahamas about sunken treasure, greed, fun, and really hot chicks I was in. I had never done a movie on the water.

Kino Flo: Frieder Hochheim Hurlblog Interview Part 2

Freider Hochheim continues the conversation about the direction and future of Kino Flo.

Lighting with Canon’s 1DC DSLR 4K Capture Project “The Ticket”

On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.

Po Chan’s vision for “The Ticket” discussed on the Digital Convergence Podcast

In this special edition of the Digital Convergence Podcast, Chris Fenwick delves deep into the mind and vision of Po Chan – a remarkable visual story teller, artist, and director of both “The Last Three Minutes” and “The Ticket.”

Navy Swimmer: Mountain Rescue & Sea Rescue Sequences

Here is the breakdown for the Mountain Rescue portion of Navy Swimmer.

– 1-camera in deep water housing which captures underwater and split level shots
– 1-camera mounted on the Navy Swimmers helmet to capture him exiting the helicopter and being lowered down in between the rocks…

Portable Lighting with the Rosco LitePad Kit

I am always in pursuit of new lighting technology, and this Rosco LitePad kit knocked me out with its size, versatility, color and punch.