- Projects / Films
First up in our new series of gear reviews, the Panasonic Lumix DMC-GH4 with the interface unit that has the audio inputs, SDI outputs and full sized HDMI output.
Learn how Wes Phillips and Dale Backus from SmallHD won the “Doritos: Crash The Superbowl Contest” not once… but twice and then how they used their earnings to fund the growth of SmallHD.
Lighting so that you can tell your stories with realism and accurate color temp.
Hello all co-collaborators. We want to energize the HURLBLOG […]
How using different focal lengths can help assist character development in new ways. It is the cinematographer’s job to assist in the character arc process.
Demo reel scrutiny. You want to show everything, but short and sweet is simply the best advice I can give you.
Matching different lenses to save time during color correction.
Using stockings to add a glow, a pearlescent quality, to transport you to a time period that had a sense of glamor, when movie stars were king.
When choosing a lens for the Canon 5D Mark II camera you have to consider the look and feel that you are trying to create for the final visual product. My team and I have tested and played with these lenses quite a bit and here is…
My Book Light tutorial on how to build it and why it is so useful. Plus, how I got started in this business.
After my blog post about lighting from your local hardware store, I wanted to take it one step further […]
The new wave of Large sensor cameras with their high ISO range and light sensitivity are changing the way cinematographers […]
By Dan Liu. As an editor, it is the best feeling knowing that you will have great material to work with. After talking with Po and Shane, I was very excited about working on The Ticket, as I knew it would have great material in spades.
When I started the 5 week Marine’s commercial two months ago, I knew we would be in wide open spaces as well as tight quarters on the Amphibious Assault Destroyer. The project required gear that was versatile, so I turned to Kessler Crane’s CineSlider. NAB was where I…
Focus is probably one of the biggest obstacles that the 5D encounters. So many of our colleagues have questions and wonder why it is absolutely essential to have a focus puller. They are the backbone of this amazing technology. Shooting with practical…
Popular Posts This Month
Here are the apps that I wish I had when I was a budding young filmmaker to help navigate the waters.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Your first point of lighting is your key light, which is the light that exposes the face.
As a cinematographer, you are always asked to make compromises. With Gabriele Muccino’ s vision and my ideas for lighting and camera, we were taxing the budget to the absolute limit.
. Our director, Gabriele Muccino saw these videos with the MoVI, and we wanted to come up with the shot that showed the unique ability to be able to pass this camera off from one operator to the other.