- Projects / Films
How to test your camera’s latitude. This is one of the most important tests that you can perform because over exposing is a very subjective and personal artistic choice.
In a previous blog entry, Shane talked about the 5D MKII and how it integrates with […]
Vincent LaForet recently announced an exiting video contest where he is collaborating with Canon and Vimeo. I am excited to be one of the judges because I know the creative product will be amazing!
Here is an excerpt from Vincent…
“Is filmmaking fair?” The answer is yes. Is it equal? Not for one minute.
This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.
“Find us on Facebook.” “Follow me on Twitter.” We see social media everywhere these days and rightly so. Tools like Twitter, Facebook, YouTube, LinkedIn, Google+ and more can help small businesses, one man shops, and large brands grow and expand their contacts with clients and customers. This includes filmmakers. The opportunities are great for both raising funds online and for distributing your work.
Matching different lenses to save time during color correction.
I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.
As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.
The trailer for the documentary that Hurlbut Visuals produced about this forward thinking company called SmallHD, founded by Wes Phillips and Dale Backus.
When Rob Cohen asked me to shoot his next feature after we finished “The Rat Pack,” I was ecstatic. I could not wait to get the script. He told me that it was a thriller about the Skull and Bones Secret Society at Yale.
I am always in pursuit of new lighting technology, and this Rosco LitePad kit knocked me out with its size, versatility, color and punch.
By Po Chan. Shane and I have always said that The Ticket is a love story between art and science. I think the true beauty of art, as well as the art of cinema, is the power to communicate with people on a subconscious emotional level.
Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.
I am on the road again directing for Bandito Brothers www.banditobrothers.com/ and loving it. As a filmmaker, I am taking advantage of this inspiring, creative tool (a 5D camera) while stretching the budget. Our goal is to show the influence of the Marines around the globe while…
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Here are the apps that I wish I had when I was a budding young filmmaker to help navigate the waters.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Your first point of lighting is your key light, which is the light that exposes the face.
As a cinematographer, you are always asked to make compromises. With Gabriele Muccino’ s vision and my ideas for lighting and camera, we were taxing the budget to the absolute limit.
. Our director, Gabriele Muccino saw these videos with the MoVI, and we wanted to come up with the shot that showed the unique ability to be able to pass this camera off from one operator to the other.