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Canon 5D MK II – Challenges and Solutions

Shane addresses the challenges of the HDSLR platform and helps find solutions to rolling shutter, moire and overheating.

Small Size, Big Value: The Canon 5D Mark II As A MovieMaker

The Canon 5D Mark II is approximately 2.5 pounds with a still lens, 4.5″ high 3″ deep and 6″ long. Wow!

It is nimble and inexpensive so you can have multiple camera bodies working in different configurations simultaneously. Not being stuck with a traditional shoulder mount allows you to create a new visual language.

We Have A Winner To Our "Where’s the 5D" Contest

The “Where’s the 5D” contest was so close that the winner Josh beat our runner up Tim by a single shot. Josh will claim his prize this Wednesday when he visits me on the set for the day.

We decided to add a runner up prize…

Meeting With Students At Emerson College

What a fun time it was last week at Emerson College! Professor Bosmajian’s advanced cinematography class was fantastic! I showed footage from the undercover Navy SEAL movie to have the students take each shot apart to analyze both the lighting and photography.

Picture Style: How Do You Choose?

I am frequently asked about picture style. There are so many internet sites making RAW picture styles, Flat picture styles, Panavision Genesis Picture Styles and all the picture styles in between for the Canon 5D, 7D, and the 1D. It is confusing to know which one to choose and I…

Shaping the Hurlblog Based on Your Opinion and Feedback

Hello all co-collaborators.  We want to energize the HURLBLOG [...]

How Lenses Assist Storytelling: Part Three

Mr. 3000 Camera Lens Restraint. How different lenses, lighting and color help assist in storytelling.

Polarizing Filters: Powerful Filmmaking Tools

My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.

Crash Cam: Filmmaking Inside the Box

Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.

My Go To Lighting Package Part Two: The Basics

When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.

Need for Speed Lighting Breakdowns

Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.

Herb Ritts Exhibit at the J. Paul Getty Museum

From 1991-1996, I had the unique opportunity to work with one of the most talented still photographers of the 20th Century. Not only was Herb Ritts a great artist, he was also an amazing human being.

Polarizing Filters: Powerful Filmmaking Tools

My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.

Many Camera Formats Strike in Waiting for Lightning

Waiting for Lightning, a documentary about pro skateboarding pioneer Danny Way, began production in 2008. Over the course of those four years, the documentary would embrace the modern evolution of camera systems to complete the project.

Navy Swimmer: Pool Training Sequence With Real Time Workflow

The Bandito Brothers Production Company has a very unique work flow. I have adopted the Bandito Brothers “Real Time” shooting module and combined it with “traditional” filming. Here is how we made it work for the Navy Swimmer commercial.

Imagine prepping, shot listing and then…