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The New HP DreamColor: It’s all about the Color Space

With the release of the new Z27x and the Z24x monitors, we should look at what makes these babies different from the old workhorse that served as my eyes into the DSLR color space for over five years.

Digital Cinematography vs Film: Tides are Turning

As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.

Tiffen Diffusion Filters and Steadicam

Tiffen has introduced a whole new line of filters for digital sensors and have shot a very in-depth 4K test that premiered at NAB this year,

It’s Hard to Stop a Trane: Shooting Action Sequences

How we shot the action sequences for a series of Trane AC commercials with extreme heat and a bus crash.

Helmet Cams: Visceral, Intimate, and Emotional Connection with Your 5D

The first job that I ever shot with the Canon 5D was as Director and DP on a webisode series that Director of “Terminator Salvation” McG asked me to do. We produced these webisodes as part of the “Terminator Salvation” marketing campaign to be used…

Accessorizing Your 1DC for Cinematic Capture

The accessorizing required to turn your Canon 1DC into a Movie Making Machine.

Panavision Primo Primes: Cinema Quality Imagery

Panavision Primo Primes are the ultimate lenses. They produce cinema film quality imagery that will blow you away. The contrast range is perfect because you have all of the highlight detail, as well as wonderful gradation into the shadows.

Zeiss: A Cinematic Journey on "Act of Valor"

When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene [...]

Hurlblog Interview I: Dr. Scherle Shares the History of Zeiss and Sheds Light on the Future

Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.

Rosco View: New Frontier Tools

The Rosco View has increased my speed on location tenfold. Innovation, creation. I love what I do.

Part 2: Color Correction Made Easy

Matching different lenses to save time during color correction.

Diffusion for the Digital Age: The Use of Glass Filtration

We demo the power of the glass filter, including the ones that I use and their wonderful benefits.

How to Light for Specific Camera Blocking: Master to Close-Up

What I think about when I am blocking a scene and my preferences on how to work from the master to the close-up.

Lighting with Canon’s 1DC DSLR 4K Capture Project “The Ticket”

On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.

Hurlbut Returns Podcast

I joined the NeedCreative Podcast again this week. We talked about the art and science of cinematography and then did a mini-workshop. I go into story scenarios and how I would light and lens them.

The Making of The Janitor Sequence From “The Last 3 Minutes”

When Canon and Hurlbut Visuals teamed up on this joint venture, we wanted to put together a trilogy of Behind the Scenes videos where I narrated about what goes on inside my head as a cinematographer. We also wanted to show that even though there is a planning process…

Training Your Eye – Lighting for Cinematographers

Many say that the light meter is dead with digital. I disagree. It is the only tool that you have in your box that can measure what you love.

Lighting Series Number 3: The Natural Look of Crazy/Beautiful

My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…