- Projects / Films
When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.
Shane addresses the challenges of the HDSLR platform and helps find solutions to rolling shutter, moire and overheating.
When I started the 5 week Marine’s commercial two months ago, I knew we would be in wide open spaces as well as tight quarters on the Amphibious Assault Destroyer. The project required gear that was versatile, so I turned to Kessler Crane’s CineSlider. NAB was where I…
I’ll be speaking Saturday, February 23 at 1:00pm in San Fernando with insider information on getting the best out of the new 4K Canon arsenal, Canon 1DC tests, post workflow and etiquette — how the elite team rolls out.
“Find us on Facebook.” “Follow me on Twitter.” We see social media everywhere these days and rightly so. Tools like Twitter, Facebook, YouTube, LinkedIn, Google+ and more can help small businesses, one man shops, and large brands grow and expand their contacts with clients and customers. This includes filmmakers. The opportunities are great for both raising funds online and for distributing your work.
Many of you have expressed an interest in composition: what makes a good frame or a bad one. There are a few classic frames that I customize to give them flare. I think this will help all of you find your compositional voice.
I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.
I love lenses and examining the subtle differences with each one so I am confident in the resulting image.
Nikon lenses are sharp with a little softer contrast than the Zeiss lenses. The older A lenses are nice because they have a wider
When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.
The trailer for the documentary that Hurlbut Visuals produced about this forward thinking company called SmallHD, founded by Wes Phillips and Dale Backus.
My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…
How to read a color temp meter and why it is important. I have always loved understanding the color of different lights — street lights, fluorescents in a store, neon, moonlight, etc.
The CM 250 is a 24” OLED display that is crisp, clean and delivers beautiful blacks.
In mid-October, I got a call from McG to see if I was available to do a Mountain [...]
We employed Technicolor’s Cinestyle on its maiden voyage. This picture style seemed to work well in [...]
Popular Posts This Month
Here are the apps that I wish I had when I was a budding young filmmaker to help navigate the waters.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Your first point of lighting is your key light, which is the light that exposes the face.
As a cinematographer, you are always asked to make compromises. With Gabriele Muccino’ s vision and my ideas for lighting and camera, we were taxing the budget to the absolute limit.
. Our director, Gabriele Muccino saw these videos with the MoVI, and we wanted to come up with the shot that showed the unique ability to be able to pass this camera off from one operator to the other.