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Flanders CM 250 – The Lighting and Exposure Monitor of the Future

The CM 250 is a 24” OLED display that is crisp, clean and delivers beautiful blacks.

Arri Alexa vs. Canon C500

Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.

Leica Glass and a C500 Sensor Own the Night for Acura

The combination of the MoVI, Canon C500, aerial drones and Leica glass was a slam dunk on this Acura commercial.

AAA Behind the Scenes: Episode One “The Drag Strip”

In January of 2011, I was asked by “The Gentlemen,” Brett Snider and Billy Federighi, a very creative and humorous, directing at Bandito Brothers, to shoot a series [...]

Crash Cam: Filmmaking Inside the Box

Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.

Red Epic vs. Canon C500

These extensive tests between the Red Epic and the Canon C500 were conducted over three days with seven other cameras.

Tiffen and HV Collaborate To Make Extraordinary Images with Water White Glass

When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.

Lens Test with Zeiss ZE and CP2s, Canon L Series and Leica R Glass

Part of being a cinematography intern is not only knowing all the gear, but how it can be used to enhance your visual story telling. The characteristics of a lens can infuse a mood, a style, etc. Being obsessed in the subtleties is key. Shane encourages us to use all our tools and test them in the line of fire. We have been using Canon, Leica, and Zeiss lenses but haven’t had the chance to compare them all side by side.

Tiffen Diffusion Filters and Steadicam

Tiffen has introduced a whole new line of filters for digital sensors and have shot a very in-depth 4K test that premiered at NAB this year,

Zeiss: A Cinematic Journey on "Act of Valor"

When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene [...]

Mixing Formats: Arri Alexa, Canon 5D and C300 on a New Mexico DOT Spot

I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.

Crash Cam: Filmmaking Inside the Box

Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.

Frieder Hochheim Hurlblog Interview Part 1 – The Growth and Innovation of Kino Flo

My dear friend Frieder Hochheim goes into the history of his innovative,...

Hurlbut Returns Podcast

I joined the NeedCreative Podcast again this week. We talked about the art and science of cinematography and then did a mini-workshop. I go into story scenarios and how I would light and lens them.

Top 10 Hurlblog Posts of 2013

We run down our top ten most read blog posts from 2013

Lighting Basics: Going With What is Available

The exciting thing about the Arri Alexa, F-3 and the new wave of DSLR’s is their high ISO range to minimum [...]

Lighting Series Number 3: The Natural Look of Crazy/Beautiful

My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…

Need for Speed Lighting Breakdowns

Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.