Sponsored By

  • Camera
  • Cinematography
  • Lenses
  • Lighting
  • Projects / Films

An MCS Cage Adds Versatility to Your Creativity

Whether you love your 5D, shoot weddings with a Sony FS-100, shoot music videos with your 7D, or [...]

Part 2: Color Correction Made Easy

Matching different lenses to save time during color correction.

The Cineped: Full 360° Rotatable Slider

As a cinematographer, movement is an integral part of conveying your creative vision and the storytelling process. Whether subtle or dramatic, it’s another tool in your box of creative options.

How Do I Create Ideas for Feature Films?

How do I create? … Like a 5 year old. Try new things. Be selective. You have to follow your heart and believe in your ability and the longevity of your career.

The Making of The Vietnam Sequence From “The Last 3 Minutes”

We are going to give you a special treat on this blog. When I travel around the world, many people come up and ask me about the one shot helicopter crash in Terminator:Salvation. So I thought this was a fitting place to talk about all in one shot sequences…

A New Zealand Filmmaker Showcased for the Hurlbut Visuals Filmmaker’s Spotlight

Meet Andrew Stroud, a filmmaker from New Zealand.

Part 2: Color Correction Made Easy

Matching different lenses to save time during color correction.

Still Lenses That Can Grace The Big Screen

On the still lens front, you have a variety of options. I am addressing this topic from a 40 foot screen digital projection perspective, not a still photography one.

Zeiss ZE primes rock. Their resolution is spectacular and they are lightweight. Their focus is a little more cinematic then…

Zeiss Lenses: Sharp and Snappy

Lenses are one of the most critical choices when you are mounting the Canon 5D Mark II to a lens. Do not treat this camera like it is a film body. Remember to mount the camera to the lens, not the opposite.

Final Days of Deadfall: Giving the Stag Horn Saloon Life, Texture, and Color: KINO FLO

It is so sad saying goodbye to Montreal. I love this amazing city. The crew was the [...]

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

Building Medusa: The Perfect DIY Fire Light

How to create DIY fire light to shape and manicure available light and make the ordinary look extraordinary.

The Next Gen in Digital Film Capture: Canon’s 4K 1DC

When Canon approached me to test and shoot a short film for their new 1DC 4K DSLR, I was more than excited. After the first night of testing, one word came to mind. WOW!!!

The Making of The Carnival Sequence from “The Last 3 Minutes”

Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.

Dark Energy for After Effects

Lance Maurer and his team at Cinnafilm developed the Dark Energy Suite, a revolutionary texture management system. This is how I was able to seamlessly cut film and the Canon 5D MkII together on Act of Valor.