Sponsored By

  • Camera
  • Cinematography
  • Lenses
  • Lighting
  • Projects / Films

Small Size, Big Value: The Canon 5D Mark II As A MovieMaker

The Canon 5D Mark II is approximately 2.5 pounds with a still lens, 4.5″ high 3″ deep and 6″ long. Wow!

It is nimble and inexpensive so you can have multiple camera bodies working in different configurations simultaneously. Not being stuck with a traditional shoulder mount allows you to create a new visual language.

Gemini 4:4:4 RAW: Your 4K/2k/1080p Recording Solution

Testing the new Gemini 4K RAW Recorder. I am all about keeping things compact and mobile, and the Gemini has this in spades. It is very small and has a very cool on-board monitor so that you can immediately check the digital gate.

Canon 5D Still a Workhorse for Micro-Budget and Multi-Camera Shoots

The Canon 5D Mark II opened the floodgates to new and creative filmmaking three years ago and is still going strong today. They remain a reliable workhorse for many cinematic options, particularly micro-budget, multi-camera shoots.

Storytelling through Composition

Many of you have expressed an interest in composition: what makes a good frame or a bad one. There are a few classic frames that I customize to give them flare. I think this will help all of you find your compositional voice.

Cinematography Trainee Opportunity with Hurlbut Visuals

Why start a DSLR rental division? I have been asked this question many times. You cannot be a pioneer if you do not [...]

Hurlbut Returns Podcast

I joined the NeedCreative Podcast again this week. We talked about the art and science of cinematography and then did a mini-workshop. I go into story scenarios and how I would light and lens them.

Zeiss: A Cinematic Journey on "Act of Valor"

When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene [...]

Crash Cam: Filmmaking Inside the Box

Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.

Polarizing Filters: Powerful Filmmaking Tools

My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.

The Illumination Experience Educational Tour

Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.

DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras

This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.

Shane Hurlbut’s Go To Lighting Package

Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.

American Cinematographer Podcast on Shooting Deadfall

American Cinematographer recently produced a podcast about shooting Deadfall — “going inside the visual landscape of a suspense filled winter wonderland.”

Big Winners: The SmallHD Story

Learn how Wes Phillips and Dale Backus from SmallHD won the “Doritos: Crash The Superbowl Contest” not once… but twice and then how they used their earnings to fund the growth of SmallHD.

New York Meet Up

Join us for an informal “getting to know you” meet-up with Shane Hurlbut, ASC in New York City.