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Hurlbut Visuals Launches New DSLR Rental Division at Cine Gear 2011

I want to invite all of you to Cine Gear 2011. Hurlbut Visuals is launching our new DSLR Cinema Rentals division with new rigs and out of the box innovation.

Camera Configurations: Your Best Ally

Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and crews that ever. One way to meet that need is by increasing your speed without sacrificing quality. Specifically, when using Canon 5D Mark II camera for a project…

Canon 5D MK II – Challenges and Solutions

Shane addresses the challenges of the HDSLR platform and helps find solutions to rolling shutter, moire and overheating.

Hurlbut Returns Podcast

I joined the NeedCreative Podcast again this week. We talked about the art and science of cinematography and then did a mini-workshop. I go into story scenarios and how I would light and lens them.

The Story is What Matters

This year, I had the privilege of experiencing NAB from Montreal while shooting my latest feature “KIN.”

Picture Style: How Do You Choose?

I am frequently asked about picture style. There are so many internet sites making RAW picture styles, Flat picture styles, Panavision Genesis Picture Styles and all the picture styles in between for the Canon 5D, 7D, and the 1D. It is confusing to know which one to choose and I…

Filtration: Beware Of The Reaper Of Cheap Glass

Making HD look like film has a cocktail and one of the essential ingredients to this flavorful recipe is Neutral Density. You have to keep your exposure on a 5D around a 5.6 to get that beautiful shallow depth of field. The 7D should be around…

Still Lenses That Can Grace The Big Screen

On the still lens front, you have a variety of options. I am addressing this topic from a 40 foot screen digital projection perspective, not a still photography one.

Zeiss ZE primes rock. Their resolution is spectacular and they are lightweight. Their focus is a little more cinematic then…

Zeiss Lenses: Sharp and Snappy

Lenses are one of the most critical choices when you are mounting the Canon 5D Mark II to a lens. Do not treat this camera like it is a film body. Remember to mount the camera to the lens, not the opposite.

The Making of The Carnival Sequence from “The Last 3 Minutes”

Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.

Top 10 Hurlblog Posts of 2013

We run down our top ten most read blog posts from 2013

Large Sensor Cameras – Economical Lighting

The new wave of Large sensor cameras with their high ISO range and light sensitivity are changing the way cinematographers [...]

Maxing Out Your Indie Budget: “Remus” by Julien Lasseur, Elite Team Assistant & Media Manager

To begin, I’m not claiming to be an experienced filmmaker. I merely want to initiate a dialogue about producing [...]

The Picture of Versatility: Canon 5D Mark II Helmet Camera

I designed a helmet mount for the Canon 5D Mark II with Gary Hatfied, Dan Owens from Panavision to capture the first person point of view action in a new way. The camera is extremely versatile with…

Need for Speed Lighting Breakdowns

Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.