- Projects / Films
I want to invite all of you to Cine Gear 2011. Hurlbut Visuals is launching our new DSLR Cinema Rentals division with new rigs and out of the box innovation.
Congratulations to Kevin Otterness – Director, Cinematographer,...
Shane’s suggested menu settings for using the Canon 1DC as a cinematic movie maker.
Many people have approached me with questions about books that have inspired me as a filmmaker. We have compiled a list of valuable resources for you to use to expand your scope and vision.
Hurlbut Visuals is looking for 40 forward thinking filmmakers, men and women to enlist in the pursuit of trail blazing this new technology with the few, the proud, the Elite Platoon.
Our motto is to educate and inspire one filmmaker at a time. On August 28 & 29 we are going to take…
This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.
Matching different lenses to save time during color correction.
I have been asked by many of our readers to share details regarding my personal Gear Bag. I use a vast array of tools to be able to tell all types of stories. I wanted to break it down with detail.
The Rosco View has increased my speed on location tenfold. Innovation, creation. I love what I do.
My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.
I am always in pursuit of new lighting technology, and this Rosco LitePad kit knocked me out with its size, versatility, color and punch.
When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.
Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.
Find the GoPro Hero 3 shots in the new Need for Speed SuperBowl Trailer and enter to win.
When director Peter Odiorne asked me to shoot Sports Authority “Shoe,” the […]
Popular Posts This Month
Here are the apps that I wish I had when I was a budding young filmmaker to help navigate the waters.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Your first point of lighting is your key light, which is the light that exposes the face.
As a cinematographer, you are always asked to make compromises. With Gabriele Muccino’ s vision and my ideas for lighting and camera, we were taxing the budget to the absolute limit.
. Our director, Gabriele Muccino saw these videos with the MoVI, and we wanted to come up with the shot that showed the unique ability to be able to pass this camera off from one operator to the other.
It’s time for the November Inner Circle podcast, where I answer your questions. This month, the podcast is themed around lighting questions, and I’ve included the actual questions below....