- Projects / Films
We have so many new digital tools at our disposal that you cannot just pick them up and start shooting with them. Treat your new digital camera like a new film emulsion that needs testing.
Shane addresses the challenges of the HDSLR platform and helps find solutions to rolling shutter, moire and overheating.
The Untitled Navy SEAL movie has taken me to some of the most extreme working conditions that I have ever experienced in my career as a Director of Photography. We traveled to the following locations: the jungles of Costa Rica, the swamps of Mississippi…
A big congratulations to our HDSLR Bootcamp Contest winner Charles Elmore of Tulsa, Oklahoma! Charles will be attending our HDSLR Bootcamp in LA from August 28-29, 2010. We’ve gotten to know a little bit about who he is, his background in film …
Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.
We run down our top ten most read blog posts from 2013
Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.
I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.
It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…
One of the most popular requests was for lighting instruction. In the HD world and film, lighting is king. Knowing how to light and not just rely on available light is what being a cinematographer is all about.
Welcome to our gallery of Illumination Experience photos.
The light meter is essential for matching and to get your head around light ratios as a young cinematographer.
This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.
The current spot was for El Pollo Loco, and the concept was a very action oriented camera, with snap zooms and quick handheld push ins and pull outs. I thought the Canon C300 would be the perfect camera for this job, lightweight and maneuverable.
At Hurlbut Visuals, two of our core values are commitment and collaboration. We are helping to spread the word about director Joshua Sallach’s latest movie, an untitled “Dark Fairy Tale” project with Narrow Road Productions. Check out the inspiring story at http://www.nrpro.com/