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Recent Reviews From All Categories

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Contest – Where’s the GoPro in Need for Speed?

Find the GoPro Hero 3 shots in the new Need for Speed SuperBowl Trailer and enter to win.

HP LP2480zx Dream Color: Your Eyes Into the DSLR Colorspace

When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.

Infusing First Person POV Into Mountain Dew GAME FUEL MW3

In mid-October, I got a call from McG to see if I was available to do a Mountain [...]

The New HP DreamColor: It’s all about the Color Space

With the release of the new Z27x and the Z24x monitors, we should look at what makes these babies different from the old workhorse that served as my eyes into the DSLR color space for over five years.

Turning Still Cameras Into PL Mount Movie Makers

It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…

Looking Inside the Canon1DC DSLR 4K Capture Project “The Ticket”

We have had an outpouring of positive feedback on Po Chan’s film “The Ticket.” Everyone at Hurlbut Visuals wanted to give you an inside look at how we used the power of this incredibly flexible, lightweight, DSLR platform, the A camera system that is the 1DC. It gives any filmmaker the ability to dream.

Hurlblog Interview I: Dr. Scherle Shares the History of Zeiss and Sheds Light on the Future

Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.

Canon Lenses Create Beautiful Skin Tones

When choosing a lens for the Canon 5D Mark II camera you have to consider the look and feel that you are trying to create for the final visual product. My team and I have tested and played with these lenses quite a bit and here is…

Steve Tiffen of Tiffen Filters Hurlblog Interview: The Tiffen Company

In November of last year I had the pleasure of interviewing Mr. Steve Tiffen of the Tiffen Company [...]

HDSLR Challenges: Working With a Still Lens

Shane Hurlbut, ASC discusses lenses and the challenges of working with a still lens.

How Lenses Assist Storytelling: Part Two

How using different focal lengths can help assist character development in new ways. It is the cinematographer’s job to assist in the character arc process.

Nikon Lenses: Sharp and Soft

I love lenses and examining the subtle differences with each one so I am confident in the resulting image.

Nikon lenses are sharp with a little softer contrast than the Zeiss lenses. The older A lenses are nice because they have a wider

Hurlbut Returns Podcast

I joined the NeedCreative Podcast again this week. We talked about the art and science of cinematography and then did a mini-workshop. I go into story scenarios and how I would light and lens them.

Reading a Light Meter: Tips and Tricks

The light meter is essential for matching and to get your head around light ratios as a young cinematographer.

Building Medusa: The Perfect DIY Fire Light

How to create DIY fire light to shape and manicure available light and make the ordinary look extraordinary.

My Go To Lighting Package Part Two: The Basics

When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.

Lighting with Home Depot Lights: Part 2

A few weeks ago, I wrote a blog post about my lighting package that looked like an aisle inside

Lighting Series Number 4: Extending Dawn on the Practice Field in “DrumLine”

My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.