- Projects / Films
The Bandito Brothers Production Company has a very unique work flow. I have adopted the Bandito Brothers “Real Time” shooting module and combined it with “traditional” filming. Here is how we made it work for the Navy Swimmer commercial.
Imagine prepping, shot listing and then…
At first glance with the Canon 5D you notice one thing, the minute you plug a mini HDMI cable or a 1/8” mini plug into the outputs on the camera, your LCD screen disappears. It is like a sick magic trick that for some reason, not one person can figure out.
Operating with some girth on your shoulders gives you control. Having a shoulder cam rig that fits and conforms to your body is paramount.
I am not a great poker player so I was surprised when Benjamin emailed to ask me to be a part of this event allinfilm.org/ALL-INfilm.html on Monday evening 4/12 in Las Vegas at The Hard Rock Cafe during the week of NAB. Then, I learned the details that a portion of the proceeds benefit the American Red Cross for …
Lighting techniques and camera composition is the focus of this course tailored to open your mind in new ways. I have designed this experience to be immersive, interactive and intimate using simple techniques to build confidence with any budget.
The lens’ traits can help tell your story. The look and feel of lenses, their characteristics of color and contrast rendition, are all relevant factors.
Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.
I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.
When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene […]
In mid-October, I got a call from McG to see if I was available to do a Mountain […]
Meet the Cinematography Intern DREAM TEAM by Shane Hurlbut The...
The light meter is essential for matching and to get your head around light ratios as a young cinematographer.
One of the most popular requests was for lighting instruction. In the HD world and film, lighting is king. Knowing how to light and not just rely on available light is what being a cinematographer is all about.
We have a few days off from shooting, so here is a poll. Filming on Need for Speed moves to what location this week?
We have so many new digital tools at our disposal that you cannot just pick them up and start shooting with them. Treat your new digital camera like a new film emulsion that needs testing.
Popular Posts This Month
Here are the apps that I wish I had when I was a budding young filmmaker to help navigate the waters.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Your first point of lighting is your key light, which is the light that exposes the face.
As a cinematographer, you are always asked to make compromises. With Gabriele Muccino’ s vision and my ideas for lighting and camera, we were taxing the budget to the absolute limit.
. Our director, Gabriele Muccino saw these videos with the MoVI, and we wanted to come up with the shot that showed the unique ability to be able to pass this camera off from one operator to the other.
It’s time for the November Inner Circle podcast, where I answer your questions. This month, the podcast is themed around lighting questions, and I’ve included the actual questions below....