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Anton Bauer QRC-CA940 Gold Mount Battery Plate for Canon C300 and C500

The Elite Team and I have been field testing different power and cable management systems. We have found that the best solution to power the Canon C500 and C300 are the Anton Bauer Dionic batteries, along with the Anton Bauer QRC-CA940 Gold Mount battery plate.

AAA Behind the Scenes: Episode One “The Drag Strip”

In January of 2011, I was asked by “The Gentlemen,” Brett Snider and Billy Federighi, a very creative and humorous, directing at Bandito Brothers, to shoot a series [...]

Interview with Greg Staten on the HP DreamColor Monitor

Greg is dedicated to producing a great monitor. He’s fascinated with what his clients are doing with HP’s products, and he’s always looking for improvements.

What’s Your Medium? by Elite Team Member Bodie Orman

You are going to Dubai to shoot a motorcycle race that will require mobility and high speed.

The Making of The Vietnam Sequence From “The Last 3 Minutes”

We are going to give you a special treat on this blog. When I travel around the world, many people come up and ask me about the one shot helicopter crash in Terminator:Salvation. So I thought this was a fitting place to talk about all in one shot sequences…

Find The Time To Boost Your Creativity

I remember being creative from the time that I was little. Perhaps it was from growing up in the middle of nowhere on a farm in central New York and the fact that I was an only child. I had to create my own fun.

Altering Lenses For Peak Performance

I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.

Part 2: Color Correction Made Easy

Matching different lenses to save time during color correction.

Using Color Correction Gels with New Digital Cameras

Color correction gels can be used many ways, but what I will discuss is how to use them in subtle ways to create color contrast with the new digital sensors.

My Go To Lighting Package Part Two: The Basics

When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.

Large Sensor Cameras – Economical Lighting

The new wave of Large sensor cameras with their high ISO range and light sensitivity are changing the way cinematographers [...]

Herb Ritts Exhibit at the J. Paul Getty Museum

From 1991-1996, I had the unique opportunity to work with one of the most talented still photographers of the 20th Century. Not only was Herb Ritts a great artist, he was also an amazing human being.

Camera Configurations: Your Best Ally

Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and crews that ever. One way to meet that need is by increasing your speed without sacrificing quality. Specifically, when using Canon 5D Mark II camera for a project…

Digital Cinematography vs Film: Tides are Turning

As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.

Kitting Out Your MoVI for Cinematic Capture

How we’re kitting out the MōVI on Fathers and Daughters.