Hurlbut Visuals is dedicated to providing exceptional, personalized education to
filmmakers globally. Shane Hurlbut, ASC innovates with new cinematography technologies
while on set shooting feature films, which he then shares through in depth articles, tutorials,
and videos as filmmaking courses online. Hurlbut Visuals provides access to this knowledge in a
unique mentoring format to inspire and leverage the learning process through on-going dialogue
within this rapidly growing and dynamic storytelling community inside Shane's Inner Circle.

Hurlbut Visuals is a collaboration between Shane Hurlbut, ASC, and his wife, business
partner, and high school sweetheart, Lydia. Over the past seven years, Hurlbut Visuals has grown
into a thriving business, an industry-revered online publication and, best of all,
a global filmmaking community.

If you are ready to commit to your storytelling journey, you’ve come to the right place.

Headlight Gag: The Build (DIY)

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Moonlight Grey: Part 2

Tungsten across the board looks like the best and most realistic moonlight source because it looks silver, and has a soft gray like the moon. Since our sources are...

Moonlight Grey: Part 1

Now we are going to create a gray moonlight. For gray, I like to use tungsten lights because they have a beautiful silver quality. We are going to use...

Moonlight Blue: The Shoot

Our scene tonight is moody and mysterious. We have two girls running down a hillside through this smoke amongst all this shadowy tree dapple with simulated moonlight backlighting them....

Moonlight Blue: The Setup (DIY)

The sun is setting, and we are going to start lighting before we run out of daylight. The first thing you want to set when you’re doing night exteriors...

Moonlight Blue: The Scout

Many of you have asked how I light at night, so in this How to Light Night Exteriors series, I want to show you my style of night lighting.

Day Exteriors: Wide Shots and Walk-Talks

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Day Exteriors: Location Scouting

When shooting a day exterior scene, consider the track of the sun when creating your shooting schedule, and match the sun’s color temperature with the camera’s Kelvin to ensure...

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