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RED GEMINI LUTS

$30.00

Product Description

**You have to set your Gemini to Legacy mode for these LUT’s to work. They are not built for IPP2.**

These LUTs are designed for use with the RED Gemini 5K sensor in the RED DSMC2 body set to Log3G10 and REDWideGamut color space ONLY. Use elsewhere at your own risk, but do let us know if you get any happy accidents!

Metadata Settings:

Contrast Curve – RED Log3G10

Color Space – REDWideGamut

LUT descriptions:

01_sc_sl- This is a very balanced LUT that is for side lit scenes.  It has cyan added into the shadow areas, beautiful rich skin tones. Perfect for a side lit Sunny Day.

02_sc_bl- This is a very balanced LUT that is for backlit scenes.  It has cyan added into the shadow areas, beautiful rich skin tones.  Perfect for a backlit Sunny Day.

03_amos_w- This is an atmospheric LUT, it changes your day exteriors and interior into a Golden Brown world in the midtones and highlights, but then adds Cyan to the shadows.  Creating a very unique look to your scenes. Imagine what it looks like during a forest fire.

04_amos_c- This is an atmospheric LUT, it changes your day exteriors and interior into a Cyan world in the midtones and shadows, but then adds yellow to the highlights.  Creating a very unique look to your scenes.

05_amos_pm- This is an atmospheric LUT for Dusk scenes, it changes your day exteriors and interior into a Purple/ Magenta world in the midtones and highlights, but then adds Cyan to the shadows.  Creating a very unique look to your scenes.

06_amos_cb- This LUT is an atmospheric LUT for Day for Night Shooting, it changes your day exteriors and interior into a Cobalt Blue world in the midtones and highlights, but then adds Cyan to the shadows.  Creating a very unique look to your scenes.

07_glow_stick- This is a LUT designed to deal with very bright lights in frame, like a Bar, carnival, NYC broadway. Handles neon, flourescent tubes very well by holding the true color that your eye sees.  Very balanced and injects cyan into the shadows.

08_twl_pm- This an atmospheric LUT that is designed for a more cyan blue tone to your dusk and dawn shooting.  This infuses deep Cyan Blue undertones.

12_color2Filmv5- This is base of all my color corrections.  It is a very filmic LUT. It takes the hyper color and unrealistic nature of digital completely out of your image so your base color is something that looks and feels and has the curves of FILM.  

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