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This is part two of the Light Night Exteriors series. The sun is setting, and we are going to start lighting before we run out of daylight. You want to set things up in priority order, the most important being first. The first thing you want to set when you’re doing night exteriors is not your key light; it’s your backlight because the backlight is what our moon source is and it really develops that mood we are talking about, which is that key on key scenario. The backlight will be on the same side as the bounce ambient fill light, which will be our moody key light.