We’re sorry! This video series is no longer available.
We employed Technicolor’s Cinestyle on its maiden voyage. This picture style seemed to work well in
Over the last 6 months, I have been under a Non-Disclosure Agreement (NDA) with a company out of
Hello loyal readers, it’s Andrea here to discuss the cost differences between 35MM film and today’s easily accessible Canon...
Matching different lenses to save time during color correction.
Last week as CEO and co-founder of Hurlbut Visuals, I joined Carl Olson, Chris Fenwick and Mitch Aunger on...
In the world of HDSLR technology, media management is a very important position. Every Elite Team member has...
By Dan Liu. As an editor, it is the best feeling knowing that you will have great material to...
On May 9th, Hurlbut Visuals hosted an educational event at Revolution Cinema Rentals where President and CEO of Light...
Hi Shane: Love the “thousand series” reset trick along with the file name to “none”. Going to adopt this workflow. On the media manager end, I like to assign a unique camera roll number, referenced to the “mag” number (A1, A2…etc). What’s your view on camera reports in this digital day and age, have you customized on for your workflow?
Thanks again for sharing this great info.
Bob D, I am glad you like these little tricks to keep you all organized. The camera reports have become more of assistant editor reports, where all the files are aligned with scene numbers or with commercials put into files associated with storyboard numbers. Now the editor as a much easier way finding all the shots.
i have a question that really bothers me not to have an answer for it, and it applies for dslrs and digital cameras.
say you’re shooting with the BMCC log or 5D cinestyle or Alexa log…..how would you judge the lighting? how would bake the look in camera? can you for example create lighting ratios? how do you see them on screen which shows a flat colors? how do you add gels to lights or change the WB settings? when you Mr.shane shoot Log and when you don’t.
i hope you’ll answer my question
Hamza Ben, When I shoot in log, I have a monitor that is delivering a LUT (Look up table) that adds contrast and color so that you can judge lighting, contrast and the color that you are applying to a shot. I use Rec. 709 LUT on the Alexa and the BMCC, I use the Small HD AC-7 Canon Log LUT for the 1DC, C500, and C300 cameras. I am not a big cinestyle guy. I use Neutral -4 contrast -1 saturation on my 5D MK III. Hope this helps
Any reason why the videos are not available anymore? I really liked them.
I just shot a new introduction. Will be re-released soon.
Your email address will not be published. Required fields are marked *
You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>
<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>