In this special edition of the Digital Convergence Podcast, Chris Fenwick delves deep into the mind and vision of Po Chan – a remarkable visual story teller, artist, and director of both “The Last Three Minutes” and “The Ticket.”
“How is editing more than just ‘cutting’? What role does a colorist play in evoking emotion and meaning? How does a director bring the story to life and propel it forward by means of camera position and moves? What role does light play in breathing life into the film?
This interview of Po Chan by Chris Fenwick provides insight and commentary on these questions. You will enjoy the scene by scene breakdown by Po Chan as she explains her thinking – why it was framed, lit, shot, edited and graded as it was.
The Digital Convergence Podcast team thanks Po Chan for taking the time to talk with us and share her conversation with our listeners.”
Download (iTunes AAC):
Digital Convergence Episode 71 – iTunes/AAC
Download (MP3 version):
Digital Convergence Episode 71 – MP3
Here are some screen grabs, BTS stills, and video to accompany the discussion during the podcast:
We demo the power of the glass filter, including the ones that I use and their wonderful benefits.
The current spot was for El Pollo Loco, and the concept was a very action oriented camera, with snap...
When director Scott Waugh called me to shoot the video for the “Act Of Valor” credit crawl song “For...
Po Chan and Lydia Hurlbut share their thoughts on the importance of music.
My first experience with the 5D DI color correction was for the Terminator Webisodes produced by the Bandito Brothers...
The Music Bed has just released a cool little iOS app and it is a fantastic way to research...
We are going to give you a special treat on this blog. When I travel around the world,...
The running scene in "The Ticket" that uses my song "Those Kisses" reminds me why I got into the...