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Editing Shane by Vashi Nedomansky
Feb18

Editing Shane by Vashi Nedomansky

The first time I met Shane was at Bandito Brothers last year, when he asked me to edit “The Last 3 Minutes.” I had worked for the Banditos as a freelance editor for 3 years and had cut [...]

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Prepping Deadfall
Feb09

Prepping Deadfall

One week ago I was slated to do two amazing car commercials for the Bandito Brothers, one for Yokohama and the other for Hot Wheels. The spots both had a very unique style and approach. One would be shot with our hybrid 35mm motion picture film and [...]

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In Praise of Dissent:  Adobe CS5 Paves The Way
Dec02

In Praise of Dissent: Adobe CS5 Paves The Way

Dissent: Voicing opinions that conflict with those that are commonly accepted or officially espoused.

When my Elite Team and I started blazing this trail, we had already become dissenters. We embraced a technology that in Hollywood was a joke, a fad, not viable. This is one of the great…

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Helmet Cams: Visceral, Intimate, and Emotional Connection with Your 5D
Nov12

Helmet Cams: Visceral, Intimate, and Emotional Connection with Your 5D

The first job that I ever shot with the Canon 5D was as Director and DP on a webisode series that Director of “Terminator Salvation” McG asked me to do. We produced these webisodes as part of the “Terminator Salvation” marketing campaign to be used…

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Canon 5D MK II & The Video Village Challenge
Aug11

Canon 5D MK II & The Video Village Challenge

At first glance with the Canon 5D you notice one thing, the minute you plug a mini HDMI cable or a 1/8” mini plug into the outputs on the camera, your LCD screen disappears. It is like a sick magic trick that for some reason, not one person can figure out.

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The Canon 5D in Big Sky Country with the MARINES
Aug04

The Canon 5D in Big Sky Country with the MARINES

I am on the road again directing for Bandito Brothers www.banditobrothers.com/ and loving it. As a filmmaker, I am taking advantage of this inspiring, creative tool (a 5D camera) while stretching the budget. Our goal is to show the influence of the Marines around the globe while…

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Color Grading the 5D MKII for Case Combines
Jul16

Color Grading the 5D MKII for Case Combines

There have been so many great comments on the BTS of the Case Tractor commercial that I wanted to share the 30 second spot with you. I am always comparing the 5D to Reversal Film Stock because you have to get it close in camera.

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A Hybrid Shoot In America’s Heartland for Case Tractor
Jun14

A Hybrid Shoot In America’s Heartland for Case Tractor

Three weeks ago I was selected as the director for a national commercial campaign for Case Tractors. It would be my first solo directing gig after signing with the Bandito Brothers one month ago. In the commercial world, an advertising agency is hired by the client, which…

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The Making of The Vietnam Sequence From “The Last 3 Minutes”
May17

The Making of The Vietnam Sequence From “The Last 3 Minutes”

We are going to give you a special treat on this blog. When I travel around the world, many people come up and ask me about the one shot helicopter crash in Terminator:Salvation. So I thought this was a fitting place to talk about all in one shot sequences…

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The Making of The Janitor Sequence From “The Last 3 Minutes”
May04

The Making of The Janitor Sequence From “The Last 3 Minutes”

When Canon and Hurlbut Visuals teamed up on this joint venture, we wanted to put together a trilogy of Behind the Scenes videos where I narrated about what goes on inside my head as a cinematographer. We also wanted to show that even though there is a planning process…

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HurlBlog Technology Guru: Mike McCarthy Part II
Apr24

HurlBlog Technology Guru: Mike McCarthy Part II

Here is the much anticipated post-production work flow blog that you have been asking for from Mike McCarthy, our technology guru. Please visit Mike’s site at hd4pc.com for even more in-depth technical information on the post-production work flow process.

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The Making of “The Last 3 Minutes”
Apr16

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

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"The Last 3 Minutes" Canon 5D 24p Firmware Shines
Apr07

"The Last 3 Minutes" Canon 5D 24p Firmware Shines

As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.

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HurlBlog Technology Guru: Mike McCarthy Part I
Apr05

HurlBlog Technology Guru: Mike McCarthy Part I

I am Mike McCarthy, the Director of Technology at Bandito Brothers. I have been working with Bandito Brothers since the company started in 2006, and have been involved with projects using almost any format imaginable. (Film, SR, HDCam, XD, EX, P2, Red, Si2K, and DSLR among others) I work with many different hardware and software companies through their beta and development programs, to find the best solutions to the work flow problems presented by new formats and tools. I also document many of the solutions I come across on my own website hd4pc.com, and do occasional consulting work for companies that are trying to adapt their existing work flow to new tools and formats.

At Bandito Brothers, we have been working with Shane over the past year or so, to really push the Canon DSLR work flow to the limits. This is in regards to both visual quality and organizational efficiency, factors which are both critical to being able to scale the Canon DSLR video work flow up to larger projects. Hopefully the things we have learned from this process, and presented here, will be of benefit to others who are sure to find themselves in similar situations.

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Color Correction: Put Your Best Foot Forward
Mar30

Color Correction: Put Your Best Foot Forward

My first experience with the 5D DI color correction was for the Terminator Webisodes produced by the Bandito Brothers through Wonderland Sound and Vision. McG asked me to be the Director/Cameraman for these alternative marketing shorts that were going on the Internet.

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Keeping It Small
Mar15

Keeping It Small

I have been doing research on other sites recently and checking out the monster camera configurations that people are creating. I question if that is the right path based on the two things attracted me to this camera; the filmic looking sensor and the size.

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HurlBlog Sound Guru: Gene Martin
Jan17

HurlBlog Sound Guru: Gene Martin

We are so excited to feature our first guest blogger Gene Martin on the HurlBlog. Whenever I am asked about a specialty such as sound, specifically sound with the 5D, I turn to this expert to weigh in with what he feels is the best. Visit Gene’s website to…

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Picture Style: How Do You Choose?
Dec27

Picture Style: How Do You Choose?

I am frequently asked about picture style. There are so many internet sites making RAW picture styles, Flat picture styles, Panavision Genesis Picture Styles and all the picture styles in between for the Canon 5D, 7D, and the 1D. It is confusing to know which one to choose and I…

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A Media Manager Has Your Back
Dec16

A Media Manager Has Your Back

In the world of HDSLR technology, media management is a very important position. Every Elite Team member has held this position at some point during the untitled Navy Seal Movie to gain an understanding of HD image capture in a small footprint work-flow system.

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Navy Swimmer: Mountain Rescue & Sea Rescue Sequences
Dec03

Navy Swimmer: Mountain Rescue & Sea Rescue Sequences

Here is the breakdown for the Mountain Rescue portion of Navy Swimmer.

– 1-camera in deep water housing which captures underwater and split level shots
– 1-camera mounted on the Navy Swimmers helmet to capture him exiting the helicopter and being lowered down in between the rocks…

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