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Shane Hurlbut’s Go To Lighting Package
Jul16

Shane Hurlbut’s Go To Lighting Package

Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.

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Dark Energy for After Effects
May22

Dark Energy for After Effects

Lance Maurer and his team at Cinnafilm developed the Dark Energy Suite, a revolutionary texture management system. This is how I was able to seamlessly cut film and the Canon 5D MkII together on Act of Valor.

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Thoughts on Music for Filmmakers
Feb28

Thoughts on Music for Filmmakers

Po Chan and Lydia Hurlbut share their thoughts on the importance of music.

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Writing “The Ticket”
Jan17

Writing “The Ticket”

By Po Chan. Shane and I have always said that The Ticket is a love story between art and science. I think the true beauty of art, as well as the art of cinema, is the power to communicate with people on a subconscious emotional level.

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Editing “The Ticket”
Dec27

Editing “The Ticket”

By Dan Liu. As an editor, it is the best feeling knowing that you will have great material to work with. After talking with Po and Shane, I was very excited about working on The Ticket, as I knew it would have great material in spades.

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Canon 1DC Camera Tests from “The Ticket”
Sep06

Canon 1DC Camera Tests from “The Ticket”

It has been a whirlwind since NAB, with all of the new emerging 4K technology and where this fits into the filmmaking process. Here are our tests with the Canon 1DC 4K DSLR camera.

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Diffusion for the Digital Age: The Use of Glass Filtration
Jun11

Diffusion for the Digital Age: The Use of Glass Filtration

We demo the power of the glass filter, including the ones that I use and their wonderful benefits.

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“Those Kisses” Music on “The Ticket”
May08

“Those Kisses” Music on “The Ticket”

The running scene in “The Ticket” that uses my song “Those Kisses” reminds me why I got into the business of making music for films.

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Po Chan’s vision for “The Ticket” discussed on the Digital Convergence Podcast
May03

Po Chan’s vision for “The Ticket” discussed on the Digital Convergence Podcast

In this special edition of the Digital Convergence Podcast, Chris Fenwick delves deep into the mind and vision of Po Chan – a remarkable visual story teller, artist, and director of both “The Last Three Minutes” and “The Ticket.”

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Lighting with Canon’s 1DC DSLR 4K Capture Project “The Ticket”
Apr26

Lighting with Canon’s 1DC DSLR 4K Capture Project “The Ticket”

On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.

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Looking Inside the Canon1DC DSLR 4K Capture Project “The Ticket”
Apr20

Looking Inside the Canon1DC DSLR 4K Capture Project “The Ticket”

We have had an outpouring of positive feedback on Po Chan’s film “The Ticket.” Everyone at Hurlbut Visuals wanted to give you an inside look at how we used the power of this incredibly flexible, lightweight, DSLR platform, the A camera system that is the 1DC. It gives any filmmaker the ability to dream.

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The Next Gen in Digital Film Capture: Canon’s 4K 1DC
Apr16

The Next Gen in Digital Film Capture: Canon’s 4K 1DC

When Canon approached me to test and shoot a short film for their new 1DC 4K DSLR, I was more than excited. After the first night of testing, one word came to mind. WOW!!!

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