As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.
Learn how Wes Phillips and Dale Backus from SmallHD won the “Doritos: Crash The Superbowl Contest” not once… but twice and then how they used their earnings to fund the growth of SmallHD.
By Po Chan. Shane and I have always said that The Ticket is a love story between art and science. I think the true beauty of art, as well as the art of cinema, is the power to communicate with people on a subconscious emotional level.
American Cinematographer recently produced a podcast about shooting Deadfall — “going inside the visual landscape of a suspense filled winter wonderland.”
By Dan Liu. As an editor, it is the best feeling knowing that you will have great material to work with. After talking with Po and Shane, I was very excited about working on The Ticket, as I knew it would have great material in spades.
Are you following me on Twitter? How about Facebook? In the spirit of the holidays, we have two Act of Valor dvds to give away. All you need to do to become eligible to win is to follow Hurlbut Visuals on Twitter or Facebook.
Waiting for Lightning, a documentary about pro skateboarding pioneer Danny Way, began production in 2008. Over the course of those four years, the documentary would embrace the modern evolution of camera systems to complete the project.
The trailer for the documentary that Hurlbut Visuals produced about this forward thinking company called SmallHD, founded by Wes Phillips and Dale Backus.
The Canon 5D Mark II opened the floodgates to new and creative filmmaking three years ago and is still going strong today. They remain a reliable workhorse for many cinematic options, particularly micro-budget, multi-camera shoots.
What I think about when I am blocking a scene and my preferences on how to work from the master to the close-up.
We have so many new digital tools at our disposal that you cannot just pick them up and start shooting with them. Treat your new digital camera like a new film emulsion that needs testing.
It has been a whirlwind since NAB, with all of the new emerging 4K technology and where this fits into the filmmaking process. Here are our tests with the Canon 1DC 4K DSLR camera.
I wanted to thank you all for the huge response on part one of Storytelling Through Composition. Now we move into the tighter side of framing.
Many of you have expressed an interest in composition: what makes a good frame or a bad one. There are a few classic frames that I customize to give them flare. I think this will help all of you find your compositional voice.
My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.
Working with less is how I like to light. On We Are Marshall, I challenged myself and my team to think about how we could light a major night exterior in the rain with just two lights.
I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.
I am always in pursuit of new lighting technology, and this Rosco LitePad kit knocked me out with its size, versatility, color and punch.
We demo the power of the glass filter, including the ones that I use and their wonderful benefits.
How we shot the action sequences for a series of Trane AC commercials with extreme heat and a bus crash.