This week we take you through Canon C500 and Arri Alexa tests of IR Filtration, Interior Latitude, Night ISO, and Night Driving.
Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.
My suggestion to all of you is to continue to educate yourself. Become a responsible filmmaker who will take the time to understand WHY – because this is what it is all about.
Color correction gels can be used many ways, but what I will discuss is how to use them in subtle ways to create color contrast with the new digital sensors.
Shutter angle is an important story-telling tool. As a Director of Photography, I love this technique and wanted to show you how I have used it to assist in the character’s emotional arc.
With the price decrease on the Blackmagic Cinema Camera, new functions, firmware upgrades and the anticipated delivery of the Pocket Cam, I thought it would be perfect timing to run more of the tests that I did for Need for Speed.
This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.
Crane moves can give you scope, geography and the sense of discovery. Understand why you are doing it first, not just because it looks cool.
Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.
Get out there and start to form that skin. Being sensitive is a strength and a weakness. Finding the right level of each is the hard part and you will find that balance.
As filmmakers, we have such an opportunity to tell small stories like Richard’s and it doesn’t take a lot of gear.
We have a few days off from shooting, so here is a poll. Filming on Need for Speed moves to what location this week?
Mr. 3000 Camera Lens Restraint. How different lenses, lighting and color help assist in storytelling.
How using different focal lengths can help assist character development in new ways. It is the cinematographer’s job to assist in the character arc process.
Many people have asked about how I am processing these huge files from the Canon 1D C and its powerful 4K in camera capture. Here is how we roll it out.
The lens’ traits can help tell your story. The look and feel of lenses, their characteristics of color and contrast rendition, are all relevant factors.
Lance Maurer and his team at Cinnafilm developed the Dark Energy Suite, a revolutionary texture management system. This is how I was able to seamlessly cut film and the Canon 5D MkII together on Act of Valor.
Lighting day exteriors is as much about choosing the right time as it is about your manipulation of the daylight.
The Codex S Recorder is incredibly lightweight and gives you assurance that your negative is under lock and key. See how we are using it on Need for Speed.
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