This post give you insight into how we pulled everything off. Need for Speed was shot on four different camera sensors.
We tested the GoPro Hero 3 and figured out what it would do best, which was immerse an audience like never before.
The Need for Speed camera test comparisons continue, with the Canon C500 vs. 35mm Kodak film stock.
Thanks so much to everyone who gave it a shot and entered our Where’s the GoPro in the Need for Speed Trailer? contest. It wasn’t easy, but eight of you correctly answered all of the trivia questions and uploaded the two correct screenshots
How do I create? … Like a 5 year old. Try new things. Be selective. You have to follow your heart and believe in your ability and the longevity of your career.
Find the GoPro Hero 3 shots in the new Need for Speed SuperBowl Trailer and enter to win.
Need for Speed photography was done practically without the existence of CGI cars, planes, helicopters or virtual worlds and done with an elite group of professional drivers and extreme risk takers that put you in the driver seat at 180mph.
This podcast covers how we put you in the driver’s seat at 180mph on Need for Speed, plus more on my experience and career.
These extensive tests between the Red Epic and the Canon C500 were conducted over three days with seven other cameras.
This week we take you through Canon C500 and Arri Alexa tests of IR Filtration, Interior Latitude, Night ISO, and Night Driving.
Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.
Color correction gels can be used many ways, but what I will discuss is how to use them in subtle ways to create color contrast with the new digital sensors.
With the price decrease on the Blackmagic Cinema Camera, new functions, firmware upgrades and the anticipated delivery of the Pocket Cam, I thought it would be perfect timing to run more of the tests that I did for Need for Speed.
Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.
Get out there and start to form that skin. Being sensitive is a strength and a weakness. Finding the right level of each is the hard part and you will find that balance.
We have a few days off from shooting, so here is a poll. Filming on Need for Speed moves to what location this week?
Many people have asked about how I am processing these huge files from the Canon 1D C and its powerful 4K in camera capture. Here is how we roll it out.
Lighting day exteriors is as much about choosing the right time as it is about your manipulation of the daylight.
The Codex S Recorder is incredibly lightweight and gives you assurance that your negative is under lock and key. See how we are using it on Need for Speed.
Please complete this brief survey and you will be entered in a drawing to win a one hour call with both Shane Hurlbut and Lydia Hurlbut. Ends May 10.