Lighting day exteriors is as much about choosing the right time as it is about your manipulation of the daylight.
When John Stockwell asked me to do a film set in the Bahamas about sunken treasure, greed, fun, and really hot chicks I was in. I had never done a movie on the water.
I have been doing research on other sites recently and checking out the monster camera configurations that people are creating. I question if that is the right path based on the two things attracted me to this camera; the filmic looking sensor and the size.