Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.
Lighting so that you can tell your stories with realism and accurate color temp.
I wanted to thank you all for the huge response on part one of Storytelling Through Composition. Now we move into the tighter side of framing.
Many of you have expressed an interest in composition: what makes a good frame or a bad one. There are a few classic frames that I customize to give them flare. I think this will help all of you find your compositional voice.
My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.
My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…