Sponsored By

Start Your Engines
Oct01

Start Your Engines

We all have seen the documentary style and how it looks and feels with real people. The director, Xander over at Backyard Productions, had a different idea and it was so unique and fun to shoot that I wanted to share it with all of you.

Read More
Leica Glass and a C500 Sensor Own the Night for Acura
Aug27

Leica Glass and a C500 Sensor Own the Night for Acura

The combination of the MoVI, Canon C500, aerial drones and Leica glass was a slam dunk on this Acura commercial.

Read More
Polarizing Filters: Powerful Filmmaking Tools
Aug16

Polarizing Filters: Powerful Filmmaking Tools

My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.

Read More
Mixing Formats: Arri Alexa, Canon 5D and C300 on a New Mexico DOT Spot
Jul20

Mixing Formats: Arri Alexa, Canon 5D and C300 on a New Mexico DOT Spot

I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.

Read More
Portable Lighting with the Rosco LitePad Kit
Jun18

Portable Lighting with the Rosco LitePad Kit

I am always in pursuit of new lighting technology, and this Rosco LitePad kit knocked me out with its size, versatility, color and punch.

Read More
It’s Hard to Stop a Trane: Shooting Action Sequences
Jun01

It’s Hard to Stop a Trane: Shooting Action Sequences

How we shot the action sequences for a series of Trane AC commercials with extreme heat and a bus crash.

Read More
The Canon C300 on an El Pollo Loco Spot
Mar28

The Canon C300 on an El Pollo Loco Spot

The current spot was for El Pollo Loco, and the concept was a very action oriented camera, with snap zooms and quick handheld push ins and pull outs. I thought the Canon C300 would be the perfect camera for this job, lightweight and maneuverable.

Read More
Crash Cam: Filmmaking Inside the Box
Mar15

Crash Cam: Filmmaking Inside the Box

Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.

Read More
13 Power iPhone Apps for Filmmakers
Jan05

13 Power iPhone Apps for Filmmakers

The past 3 years have been a very exciting time to be a filmmaker with the many changes in digital […]

Read More
Lighting with Home Depot Lights: Part 2
Dec16

Lighting with Home Depot Lights: Part 2

A few weeks ago, I wrote a blog post about my lighting package that looked like an aisle inside

Read More
Infusing First Person POV Into Mountain Dew GAME FUEL MW3
Dec07

Infusing First Person POV Into Mountain Dew GAME FUEL MW3

In mid-October, I got a call from McG to see if I was available to do a Mountain […]

Read More
One Day, 197 Set ups, 12 Shooters & 9 Navy SEALs to bring Jeep COD (Call of Duty) Ride Experience to Life
Oct20

One Day, 197 Set ups, 12 Shooters & 9 Navy SEALs to bring Jeep COD (Call of Duty) Ride Experience to Life

When I was a kid, I had a fascination with Halloween. Our son, Myles, has inherited this same […]

Read More
"Sports Authority" with the The Kessler V3 Crane and Revolution Head
Sep06

"Sports Authority" with the The Kessler V3 Crane and Revolution Head

When director Peter Odiorne asked me to shoot Sports Authority “Shoe,” the […]

Read More
One Sunrise: In One Day, One Moment, A Turning Point Captured Across America for Prudential
Jun18

One Sunrise: In One Day, One Moment, A Turning Point Captured Across America for Prudential

We employed Technicolor’s Cinestyle on its maiden voyage. This picture style seemed to work well in […]

Read More
9 5Ds Capture The Power of a Shot on Goal for Yahoo Sports (WORLD CUP) 2010
Apr08

9 5Ds Capture The Power of a Shot on Goal for Yahoo Sports (WORLD CUP) 2010

In May of last year I was hired to shoot a web interactive game for Yahoo sports in the LA Coliseum. The Director Jason Zada…

Read More
AAA Behind the Scenes: Episode One “The Drag Strip”
Mar18

AAA Behind the Scenes: Episode One “The Drag Strip”

In January of 2011, I was asked by “The Gentlemen,” Brett Snider and Billy Federighi, a very creative and humorous, directing at Bandito Brothers, to shoot a series […]

Read More
Marines: Where’s the 5D Contest II, “For Us All”
Jan17

Marines: Where’s the 5D Contest II, “For Us All”

This 60: commercial was filmed over 5 weeks on 3 continents. My Elite Team members and I brought to life a public service announcement for the Marine Corp that humanizes the warrior. Three and four tours in Iraq and Afghanistan have weighed on the American public.  The concept is a story called FOR US ALL[…]

Read More
Helmet Cams: Visceral, Intimate, and Emotional Connection with Your 5D
Nov12

Helmet Cams: Visceral, Intimate, and Emotional Connection with Your 5D

The first job that I ever shot with the Canon 5D was as Director and DP on a webisode series that Director of “Terminator Salvation” McG asked me to do. We produced these webisodes as part of the “Terminator Salvation” marketing campaign to be used…

Read More
When a Small Move Makes All the Difference: Kessler Crane’s CineSlider
Sep17

When a Small Move Makes All the Difference: Kessler Crane’s CineSlider

When I started the 5 week Marine’s commercial two months ago, I knew we would be in wide open spaces as well as tight quarters on the Amphibious Assault Destroyer. The project required gear that was versatile, so I turned to Kessler Crane’s CineSlider. NAB was where I…

Read More
A Call-out to all Filmmaker Co-collaborators in Mexico
Sep03

A Call-out to all Filmmaker Co-collaborators in Mexico

Wow, what a ride this last 18 months has been! I find myself at the fore front of a technology that I know in my heart will change the way we EVENTUALLY make movies in Hollywood, but what is so exciting is that this is not a Hollywood story.

Read More