The combination of the MoVI, Canon C500, aerial drones and Leica glass was a slam dunk on this Acura commercial.
I spoke at “Adobe Tips and Flicks” in 2012 about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor.
More camera tests between the Blackmagic Cinema Camera, Arri Alexa and Sony F5
Tiffen has introduced a whole new line of filters for digital sensors and have shot a very in-depth 4K test that premiered at NAB this year,
The power of the SmallHD DP-7 and why I believe in it so much.
Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.
Join us for an informal “getting to know you” meet-up with Shane Hurlbut, ASC in New York City.
All of you have been so gracious with your comments about how much I help all of you and make a difference, or changed your life in some way. This is a huge responsibility that I take very seriously. I need to set a great example. I need to do my very best, and I need to illustrate for all of you what it means to be a good leader.
How we’re kitting out the MōVI on Fathers and Daughters.
The CM 250 is a 24” OLED display that is crisp, clean and delivers beautiful blacks.
Tests with the newest Leica Summilux C lenses vs. the gold standard Cooke S4s for Fathers and Daughters.
This post give you insight into how we pulled everything off. Need for Speed was shot on four different camera sensors.
We tested the GoPro Hero 3 and figured out what it would do best, which was immerse an audience like never before.
The Need for Speed camera test comparisons continue, with the Canon C500 vs. 35mm Kodak film stock.
Thanks so much to everyone who gave it a shot and entered our Where’s the GoPro in the Need for Speed Trailer? contest. It wasn’t easy, but eight of you correctly answered all of the trivia questions and uploaded the two correct screenshots
How do I create? … Like a 5 year old. Try new things. Be selective. You have to follow your heart and believe in your ability and the longevity of your career.
Find the GoPro Hero 3 shots in the new Need for Speed SuperBowl Trailer and enter to win.
Need for Speed photography was done practically without the existence of CGI cars, planes, helicopters or virtual worlds and done with an elite group of professional drivers and extreme risk takers that put you in the driver seat at 180mph.
This podcast covers how we put you in the driver’s seat at 180mph on Need for Speed, plus more on my experience and career.
Patrick Moreau and the entire Stillmotion team have an amazing project that we would like to share with you. Their hope with #standwithme was to blur the lines of traditional documentary storytelling.