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Hurlblog Interview I: Dr. Scherle Shares the History of Zeiss and Sheds Light on the Future
May27

Hurlblog Interview I: Dr. Scherle Shares the History of Zeiss and Sheds Light on the Future

Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.

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Tiffen and HV Collaborate To Make Extraordinary Images with Water White Glass
Apr01

Tiffen and HV Collaborate To Make Extraordinary Images with Water White Glass

When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.

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Zeiss: A Cinematic Journey on "Act of Valor"
Feb26

Zeiss: A Cinematic Journey on "Act of Valor"

When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene […]

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Leica R Mount Lenses for the Canon HDSLR’s
Jul03

Leica R Mount Lenses for the Canon HDSLR’s

I started giving a Leica list out to individual colleagues and the request kept coming, so we decided to share it with everyone on the blog. These lenses are only R-Mount, they are the cream of the crop and through variest test we have found them to be excellent.

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Turning Still Cameras Into PL Mount Movie Makers
May26

Turning Still Cameras Into PL Mount Movie Makers

It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…

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Altering Lenses For Peak Performance
May10

Altering Lenses For Peak Performance

I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.

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The Making of “The Last 3 Minutes”
Apr16

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

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"The Last 3 Minutes" Canon 5D 24p Firmware Shines
Apr07

"The Last 3 Minutes" Canon 5D 24p Firmware Shines

As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.

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Filtration: Beware Of The Reaper Of Cheap Glass
Feb10

Filtration: Beware Of The Reaper Of Cheap Glass

Making HD look like film has a cocktail and one of the essential ingredients to this flavorful recipe is Neutral Density. You have to keep your exposure on a 5D around a 5.6 to get that beautiful shallow depth of field. The 7D should be around…

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Still Lenses That Can Grace The Big Screen
Feb06

Still Lenses That Can Grace The Big Screen

On the still lens front, you have a variety of options. I am addressing this topic from a 40 foot screen digital projection perspective, not a still photography one.

Zeiss ZE primes rock. Their resolution is spectacular and they are lightweight. Their focus is a little more cinematic then…

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Cinema Style Lenses
Feb03

Cinema Style Lenses

I am back on land and ready to tear it up. The January newsletter has been a big success and I thank you all for your comments and suggestions. This is a collaborative effort and we value your input.

I have been getting many comments from people…

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Navy Swimmer: Mountain Rescue & Sea Rescue Sequences
Dec03

Navy Swimmer: Mountain Rescue & Sea Rescue Sequences

Here is the breakdown for the Mountain Rescue portion of Navy Swimmer.

– 1-camera in deep water housing which captures underwater and split level shots
– 1-camera mounted on the Navy Swimmers helmet to capture him exiting the helicopter and being lowered down in between the rocks…

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Nikon Lenses: Sharp and Soft
Sep10

Nikon Lenses: Sharp and Soft

I love lenses and examining the subtle differences with each one so I am confident in the resulting image.

Nikon lenses are sharp with a little softer contrast than the Zeiss lenses. The older A lenses are nice because they have a wider

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Panavision Primo Primes: Cinema Quality Imagery
Sep09

Panavision Primo Primes: Cinema Quality Imagery

Panavision Primo Primes are the ultimate lenses. They produce cinema film quality imagery that will blow you away. The contrast range is perfect because you have all of the highlight detail, as well as wonderful gradation into the shadows.

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Zeiss Lenses: Sharp and Snappy
Sep08

Zeiss Lenses: Sharp and Snappy

Lenses are one of the most critical choices when you are mounting the Canon 5D Mark II to a lens. Do not treat this camera like it is a film body. Remember to mount the camera to the lens, not the opposite.

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Canon Lenses Create Beautiful Skin Tones
Sep05

Canon Lenses Create Beautiful Skin Tones

When choosing a lens for the Canon 5D Mark II camera you have to consider the look and feel that you are trying to create for the final visual product. My team and I have tested and played with these lenses quite a bit and here is…

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