Sponsored By

HDSLR Educational Series for Cinema: A Joint Venture with B&H
Feb21

HDSLR Educational Series for Cinema: A Joint Venture with B&H

Visit the B&H HDSLR hub now [...]

Read More
Redrock Micro: Battle Tested Rigs, Innovation at an Affordable Price
Jan28

Redrock Micro: Battle Tested Rigs, Innovation at an Affordable Price

Every rig that I have in our Hurlbut Visuals HDSLR rental division is Redrock Micro. Why, when there are so many rigs out there to choose from? Brian Valente and I go way back – back to March 2009 in fact – right when this whole DSLR revolution was just getting started.

Read More
Elite Team Member Tim Holterman: The DP6 and the Oracle "SmartLapse" System
Jan21

Elite Team Member Tim Holterman: The DP6 and the Oracle "SmartLapse" System

As we blaze the cinematic trail we are always on the lookout for the best gear possible. Recently the guys over at SmallHD sent us the brand new DP6 Monitor. We haven’t had time to put it through any grinding tests but so far it looks pretty useful. For its lightweight size (5.6″), it’s a powerhouse.

Read More
Interview with Kevin Otterness – HurlBlog Winner of the Redrock Micro ManCam
Jan14

Interview with Kevin Otterness – HurlBlog Winner of the Redrock Micro ManCam

  Congratulations to Kevin Otterness – Director, Cinematographer, and Editor at www.posthousepictures.com, and winner of the HurlBlog RedRock Micro ManCam contest. How did you feel when you found out you won the HV ManCam contest? I was very surprised to see that I won the HV ManCam! I have never won anything in my entire life. I think it’s great to see other filmmakers like Shane Hurlbut himself, acknowledging and...

Read More
HP LP2480zx Dream Color: Your Eyes Into the DSLR Colorspace
Dec19

HP LP2480zx Dream Color: Your Eyes Into the DSLR Colorspace

When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.

Read More
Helmet Cams: Visceral, Intimate, and Emotional Connection with Your 5D
Nov12

Helmet Cams: Visceral, Intimate, and Emotional Connection with Your 5D

The first job that I ever shot with the Canon 5D was as Director and DP on a webisode series that Director of “Terminator Salvation” McG asked me to do. We produced these webisodes as part of the “Terminator Salvation” marketing campaign to be used…

Read More
Camera Checklist for HDSLRs
Oct07

Camera Checklist for HDSLRs

Here is a little instructional video from our Hurlbut Visuals HDSLR Bootcamp. A huge thanks to editor Chris Fenwick (Slice Editorial) for taking the time to cut this footage!

I have talked in the past about the power of the hybrid approach. Taking the best from still photography and the best from motion picture photography and colliding them….

Read More
When a Small Move Makes All the Difference: Kessler Crane’s CineSlider
Sep17

When a Small Move Makes All the Difference: Kessler Crane’s CineSlider

When I started the 5 week Marine’s commercial two months ago, I knew we would be in wide open spaces as well as tight quarters on the Amphibious Assault Destroyer. The project required gear that was versatile, so I turned to Kessler Crane’s CineSlider. NAB was where I…

Read More
Canon 5D MK II & The Video Village Challenge
Aug11

Canon 5D MK II & The Video Village Challenge

At first glance with the Canon 5D you notice one thing, the minute you plug a mini HDMI cable or a 1/8” mini plug into the outputs on the camera, your LCD screen disappears. It is like a sick magic trick that for some reason, not one person can figure out.

Read More
The Canon 5D in Big Sky Country with the MARINES
Aug04

The Canon 5D in Big Sky Country with the MARINES

I am on the road again directing for Bandito Brothers www.banditobrothers.com/ and loving it. As a filmmaker, I am taking advantage of this inspiring, creative tool (a 5D camera) while stretching the budget. Our goal is to show the influence of the Marines around the globe while…

Read More
A Hybrid Shoot In America’s Heartland for Case Tractor
Jun14

A Hybrid Shoot In America’s Heartland for Case Tractor

Three weeks ago I was selected as the director for a national commercial campaign for Case Tractors. It would be my first solo directing gig after signing with the Bandito Brothers one month ago. In the commercial world, an advertising agency is hired by the client, which…

Read More
The Making of The Carnival Sequence from “The Last 3 Minutes”
Jun01

The Making of The Carnival Sequence from “The Last 3 Minutes”

Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.

Read More
Turning Still Cameras Into PL Mount Movie Makers
May26

Turning Still Cameras Into PL Mount Movie Makers

It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…

Read More
Altering Lenses For Peak Performance
May10

Altering Lenses For Peak Performance

I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.

Read More
The Making of The Janitor Sequence From “The Last 3 Minutes”
May04

The Making of The Janitor Sequence From “The Last 3 Minutes”

When Canon and Hurlbut Visuals teamed up on this joint venture, we wanted to put together a trilogy of Behind the Scenes videos where I narrated about what goes on inside my head as a cinematographer. We also wanted to show that even though there is a planning process…

Read More
The Making of “The Last 3 Minutes”
Apr16

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

Read More
"The Last 3 Minutes" Canon 5D 24p Firmware Shines
Apr07

"The Last 3 Minutes" Canon 5D 24p Firmware Shines

As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.

Read More
Keeping It Small
Mar15

Keeping It Small

I have been doing research on other sites recently and checking out the monster camera configurations that people are creating. I question if that is the right path based on the two things attracted me to this camera; the filmic looking sensor and the size.

Read More
Camera Stabilization
Feb22

Camera Stabilization

I walked into Samy’s Camera last week and a camera assistant was mounting gyros on the 5D to stabilize the camera. She was getting beaten up by the mount and said, “I cannot get this clamped on here.” I said “ Hi, I would love to help…

Read More
The Power of Focus
Feb12

The Power of Focus

Focus is probably one of the biggest obstacles that the 5D encounters. So many of our colleagues have questions and wonder why it is absolutely essential to have a focus puller. They are the backbone of this amazing technology. Shooting with practical…

Read More