I found this Digital Camera Comparison chart over at Fletcher Camera & Lenses, and it’s handy for comparing all the different digital cinema cameras available now. Camera choice in the film days used to be either Panavision or Arriflex, but now there are so many options in the digital cinema world.
Since the invention of the Canon 5D, it has taken scouting to a whole new level and preparing that package that allows you can take advantage of serendipitous moments, lightning in a bottle so to speak, is essential.
In mid-October, I got a call from McG to see if I was available to do a Mountain […]
Whether you love your 5D, shoot weddings with a Sony FS-100, shoot music videos with your 7D, or […]
Over the past 3 years, my team and I have shot 2 feature films […]
After completing the Navy SEAL movie Act of Valor, my team and I created a workflow and camera […]
When director Peter Odiorne asked me to shoot Sports Authority “Shoe,” the […]
In a previous blog entry, Shane talked about the 5D MKII and how it integrates with […]
I want to invite all of you to Cine Gear 2011. Hurlbut Visuals is launching our new DSLR Cinema Rentals division with new rigs and out of the box innovation.
Being the gatekeeper of the Hurlbut inventory, I see all types of gear come and go every week.
My last blog post was about story and not getting caught up in all the tech/gear frenzy. Now, I want to talk about […]
Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the whole movie-organize, create, and schedule it in a way that is best for light.
In January of 2011, I was asked by “The Gentlemen,” Brett Snider and Billy Federighi, a very creative and humorous, directing at Bandito Brothers, to shoot a series […]
Visit the B&H HDSLR hub now […]
Every rig that I have in our Hurlbut Visuals HDSLR rental division is Redrock Micro. Why, when there are so many rigs out there to choose from? Brian Valente and I go way back – back to March 2009 in fact – right when this whole DSLR revolution was just getting started.
As we blaze the cinematic trail we are always on the lookout for the best gear possible. Recently the guys over at SmallHD sent us the brand new DP6 Monitor. We haven’t had time to put it through any grinding tests but so far it looks pretty useful. For its lightweight size (5.6″), it’s a powerhouse.
Congratulations to Kevin Otterness – Director, Cinematographer, and Editor at www.posthousepictures.com, and winner of the HurlBlog RedRock Micro ManCam contest. How did you feel when you found out you won the HV ManCam contest? I was very surprised to see that I won the HV ManCam! I have never won anything in my entire life. I think it’s great to see other filmmakers like Shane Hurlbut himself, acknowledging and...
When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.
The first job that I ever shot with the Canon 5D was as Director and DP on a webisode series that Director of “Terminator Salvation” McG asked me to do. We produced these webisodes as part of the “Terminator Salvation” marketing campaign to be used…
Here is a little instructional video from our Hurlbut Visuals HDSLR Bootcamp. A huge thanks to editor Chris Fenwick (Slice Editorial) for taking the time to cut this footage!
I have talked in the past about the power of the hybrid approach. Taking the best from still photography and the best from motion picture photography and colliding them….