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Navy Swimmer: Pool Training Sequence With Real Time Workflow
Nov27

Navy Swimmer: Pool Training Sequence With Real Time Workflow

The Bandito Brothers Production Company has a very unique work flow. I have adopted the Bandito Brothers “Real Time” shooting module and combined it with “traditional” filming. Here is how we made it work for the Navy Swimmer commercial.

Imagine prepping, shot listing and then…

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We Have A Winner To Our "Where’s the 5D" Contest
Nov02

We Have A Winner To Our "Where’s the 5D" Contest

The “Where’s the 5D” contest was so close that the winner Josh beat our runner up Tim by a single shot. Josh will claim his prize this Wednesday when he visits me on the set for the day.

We decided to add a runner up prize…

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The Canon 5D Mark II vs. Extreme Heat
Sep30

The Canon 5D Mark II vs. Extreme Heat

The Untitled Navy SEAL movie has taken me to some of the most extreme working conditions that I have ever experienced in my career as a Director of Photography. We traveled to the following locations: the jungles of Costa Rica, the swamps of Mississippi…

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Camera Configurations: Your Best Ally
Sep30

Camera Configurations: Your Best Ally

Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and crews that ever. One way to meet that need is by increasing your speed without sacrificing quality. Specifically, when using Canon 5D Mark II camera for a project…

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The Canon 5D Mark II Battles The Elements
Aug26

The Canon 5D Mark II Battles The Elements

Shooting in Puerto Rico has tested the Canon 5D Mark II with intense humidity and rain. Yet, every time the camera has delivered.

We shot running footage of motorcycles speeding down roads, splitting traffic, and near misses by literally gaffer taping the Canon 5D to the motorcycle.

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Small Size, Big Value: The Canon 5D Mark II As A MovieMaker
Aug26

Small Size, Big Value: The Canon 5D Mark II As A MovieMaker

The Canon 5D Mark II is approximately 2.5 pounds with a still lens, 4.5″ high 3″ deep and 6″ long. Wow!

It is nimble and inexpensive so you can have multiple camera bodies working in different configurations simultaneously. Not being stuck with a traditional shoulder mount allows you to create a new visual language.

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