I am always in pursuit of new lighting technology, and this Rosco LitePad kit knocked me out with its size, versatility, color and punch.
On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.
The current spot was for El Pollo Loco, and the concept was a very action oriented camera, with snap zooms and quick handheld push ins and pull outs. I thought the Canon C300 would be the perfect camera for this job, lightweight and maneuverable.
The new wave of Large sensor cameras with their high ISO range and light sensitivity are changing the way cinematographers [...]
A few weeks ago, I wrote a blog post about my lighting package that looked like an aisle inside
In mid-October, I got a call from McG to see if I was available to do a Mountain [...]
Meet the Cinematography Intern DREAM TEAM by Shane Hurlbut The Cinematography Internship Program was an educational labor of love for Hurlbut Visuals for the 2010-2011 year. It has been our way of educating and inspiring young filmmakers. The goal was to create a variety of hands on immersive experiences: shooting, lighting, theory, and storytelling, Let’s meet The Dream Team! Julien Lasseur French, sophisticated, creative, incredible...
After my blog post about lighting from your local hardware store, I wanted to take it one step further [...]
The exciting thing about the Arri Alexa, F-3 and the new wave of DSLR’s is their high ISO range to minimum [...]
Freider Hochheim continues the conversation about the direction and future of Kino Flo.
One of the most popular requests was for lighting instruction. In the HD world and film, lighting is king. Knowing how to light and not just rely on available light is what being a cinematographer is all about.
My dear friend Frieder Hochheim goes into the history of his innovative, forward thinking, Eco-friendly company that started renting out of a small van in the 80’s and now is the industry leader in everything that is soft, controllable fluorescent technology. Frieder and the future: Their new LED technology will blow you away. I had the privilege to check it out in his studio and one word describes the light. WOW!!!! There is...
It is so sad saying goodbye to Montreal. I love this amazing city. The crew was the [...]
When Stefan Ruzowitzky and I sat down to talk about the look and feel of this film he immediately showed me these Todd Hido shots. They blew my [...]
When John Stockwell asked me to do a film set in the Bahamas about sunken treasure, greed, fun, and really hot chicks I was in. I had never done a movie on the water.
My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.
My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…
When Rob Cohen asked me to shoot his next feature after we finished “The Rat Pack,” I was ecstatic. I could not wait to get the script. He told me that it was a thriller about the Skull and Bones Secret Society at Yale.
21 months ago I never could have predicted the direction of my life. With the invention of the 5D camera, I started to understand that creating the look of “digital film” took an of the box thought process and my collective experience as a cinematographer. I did not anticipate how much I would enjoy sharing and giving back through teaching because…
Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.