Lighting car interiors at night. How I light, what choices I make with specific units, and why one lighting tool is selected over another.
How to read a color temp meter and why it is important. I have always loved understanding the color of different lights — street lights, fluorescents in a store, neon, moonlight, etc.
The light meter is essential for matching and to get your head around light ratios as a young cinematographer.
A few weeks ago, I shot a run and gun style web series and the generous team over at Hive Lighting gave me one of their units to demo. Plasma light technology is pretty incredible.
When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.
Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.
Many say that the light meter is dead with digital. I disagree. It is the only tool that you have in your box that can measure what you love.
The trailer for the documentary that Hurlbut Visuals produced about this forward thinking company called SmallHD, founded by Wes Phillips and Dale Backus.
My Book Light tutorial on how to build it and why it is so useful. Plus, how I got started in this business.
What I think about when I am blocking a scene and my preferences on how to work from the master to the close-up.
Working with less is how I like to light. On We Are Marshall, I challenged myself and my team to think about how we could light a major night exterior in the rain with just two lights.
How to create DIY fire light to shape and manicure available light and make the ordinary look extraordinary.
I am always in pursuit of new lighting technology, and this Rosco LitePad kit knocked me out with its size, versatility, color and punch.
On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.
The current spot was for El Pollo Loco, and the concept was a very action oriented camera, with snap zooms and quick handheld push ins and pull outs. I thought the Canon C300 would be the perfect camera for this job, lightweight and maneuverable.
The new wave of Large sensor cameras with their high ISO range and light sensitivity are changing the way cinematographers [...]
A few weeks ago, I wrote a blog post about my lighting package that looked like an aisle inside
In mid-October, I got a call from McG to see if I was available to do a Mountain [...]
After my blog post about lighting from your local hardware store, I wanted to take it one step further [...]
The exciting thing about the Arri Alexa, F-3 and the new wave of DSLR’s is their high ISO range to minimum [...]