You are going to Dubai to shoot a motorcycle race that will require mobility and high speed.
Posts Tagged ‘spon-canon’
9 5D’s Capture The Power of a Shot on Goal for Yahoo Sports (WORLD CUP) 2010
In May of last year I was hired to shoot a web interactive game for Yahoo sports in the LA Coliseum. The Director Jason Zada…
Tiffen and HV Collaborate To Make Extraordinary Images with Water White Glass
When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.
KIN’s Camera Breakdown: Artistry Meets Organization
Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the whole movie-organize, create, and schedule it in a way that is best for light.
AAA Behind the Scenes: Episode One “The Drag Strip”
In January of 2011, I was asked by “The Gentlemen,” Brett Snider and Billy Federighi, a very creative and humorous, directing at Bandito Brothers, to shoot a series [...]
Designing the Visual Landscape of "KIN"
When Stefan Ruzowitzky and I sat down to talk about the look and feel of this film he immediately showed me these Todd Hido shots. They blew my [...]
Media Management by Julien Lasseur,Media Manager for Hurlbut Visuals
The first step of media management is to have a place where you can backup your source files. Depending on what operating system (Mac or PC) your editor will be using, you want to format your drives accordingly.
Zeiss: A Cinematic Journey on "Act of Valor"
When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene [...]
HDSLR Educational Series for Cinema A Joint Venture with B&H
Visit the B&H HDSLR hub now [...]
EDITING SHANE by Vashi Nedomansky
The first time I met Shane was at Bandito Brothers last year, when he asked me to edit “The Last 3 Minutes.” I had worked for the Banditos as a freelance editor for 3 years and had cut [...]
Prepping "KIN"
One week ago I was slated to do two amazing car commercials for the Bandito Brothers, one for Yokohama and the other for Hot Wheels. The spots both had a very unique style and approach. One would be shot with our hybrid 35mm motion picture film and [...]
Marines Contest Winners Andrea Cecchini and Martin Guitar – Where’s the 5D II, “For Us All”
Thank you to everyone who participated in the recent Where’s the 5d Contest II – “For Us All”. We receive 153 entries for the contest. There are a lot of [...]
Elite Team Member Tim Holterman: The DP6 and the Oracle "SmartLapse" System
As we blaze the cinematic trail we are always on the lookout for the best gear possible. Recently the guys over at SmallHD sent us the brand new DP6 Monitor. We haven’t had time to put it through any grinding tests but so far it looks pretty useful. For its lightweight size (5.6″), it’s a powerhouse.
Marines: Where’s the 5D Contest II, “For Us All”
This 60: commercial was filmed over 5 weeks on 3 continents. My Elite Team members and I brought to life a public service announcement for the Marine Corp that humanizes the warrior. Three and four tours in Iraq and Afghanistan have weighed on the American public. The concept is a story called FOR US ALL[...]
Adobe Systems Incorporated
The first time I saw footage sent through CS5, I was hooked. They have specifically designed CS5 and Premiere Pro around the Canon 5D, 7D, and 1D platform.
CHANGE IS COMING
To give back to a community that has been gracious, creative, generous, inventive, inspiring and passionate, we have created a new look for the HurlBlog to help fuel this revolution. The new iteration of the HurlBlog will launch next week – stay tuned.
Lighting Series Number 4: Extending Dawn on the Practice Field in “DrumLine”
My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.
HP LP2480zx Dream Color: Your Eyes Into the DSLR Colorspace
When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.
Lighting Series Number 3: The Natural Look of Crazy/Beautiful
My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…
In Praise of Dissent: Adobe CS5 Paves The Way
Dissent: Voicing opinions that conflict with those that are commonly accepted or officially espoused.
When my Elite Team and I started blazing this trail, we had already become dissenters. We embraced a technology that in Hollywood was a joke, a fad, not viable. This is one of the great…








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