With the price decrease on the Blackmagic Cinema Camera, new functions, firmware upgrades and the anticipated delivery of the Pocket Cam, I thought it would be perfect timing to run more of the tests that I did for Need for Speed.
We look at some workflow options for getting both the CinemaDNG and ProRes files out of the Blackmagic Cinema Camera and into the NLE of your choice.
Many say that the light meter is dead with digital. I disagree. It is the only tool that you have in your box that can measure what you love.
Blackmagic graciously supplied a camera for testing. We pushed and pulled this baby to see when it would break as well as where it excelled.
As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.