We have had an outpouring of positive feedback on Po Chan’s film “The Ticket.” Everyone at Hurlbut Visuals wanted to give you an inside look at how we used the power of this incredibly flexible, lightweight, DSLR platform, the A camera system that is the 1DC. It gives any filmmaker the ability to dream.
Posts Tagged ‘HDSLR Cameras’
Dec
16
Lighting With Home Depot Lights: Part 2
A few weeks ago, I wrote a blog post about my lighting package that looked like an aisle inside
Dec
7
Infusing First Person POV Into Mountain Dew GAME FUEL MW3
In mid-October, I got a call from McG to see if I was available to do a Mountain [...]
Nov
22
An MCS Cage Adds Versatility to Your Creativity
Whether you love your 5D, shoot weddings with a Sony FS-100, shoot music videos with your 7D, or [...]
Oct
20
One Day, 197 Set ups, 12 Shooters & 9 Navy SEALs to bring Jeep COD (Call of Duty) Ride Experience to Life
When I was a kid, I had a fascination with Halloween. Our son, Myles, has inherited this same [...]
Sep
9
The Need For Speed: The Little Things That Increase Set Up Count
After completing the Navy SEAL movie Act of Valor, my team and I created a workflow and camera [...]
Jun
18
One Sunrise: In One Day, One Moment, A Turning Point Captured Across America for Prudential
We employed Technicolor’s Cinestyle on its maiden voyage. This picture style seemed to work well in [...]
Jun
1
Hurlbut Visuals Launches New DSLR Rental Division at Cine Gear 2011
I want to invite all of you to Cine Gear 2011. Hurlbut Visuals is launching our new DSLR Cinema Rentals division with new rigs and out of the box innovation.
May
24
PRO NIGHT: HDSLR Filmmaking with Jacob Rosenberg this Thursday, May 26, 2011
In February of 2009, I walked through the doors of Bandito Brothers production company and I realized at that moment this very talented [...]
May
13
Chaos in Harmony by Kevin Anderson, Rental Manager at Hurlbut Visuals
Being the gatekeeper of the Hurlbut inventory, I see all types of gear come and go every week.
May
8
Technicolor's New Picture Style- Cine Style
My last blog post was about story and not getting caught up in all the tech/gear frenzy. Now, I want to talk about [...]
Apr
8
9 5D's Capture The Power of a Shot on Goal for Yahoo Sports (WORLD CUP) 2010
In May of last year I was hired to shoot a web interactive game for Yahoo sports in the LA Coliseum. The Director Jason Zada…
Apr
1
Tiffen and HV Collaborate To Make Extraordinary Images with Water White Glass
When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.
Mar
26
KIN's Camera Breakdown: Artistry Meets Organization
Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the whole movie-organize, create, and schedule it in a way that is best for light.
Mar
18
AAA Behind the Scenes: Episode One “The Drag Strip”
In January of 2011, I was asked by “The Gentlemen,” Brett Snider and Billy Federighi, a very creative and humorous, directing at Bandito Brothers, to shoot a series [...]
Feb
21
HDSLR Educational Series for CinemaA Joint Venture with B&H
Visit the B&H HDSLR hub now [...]
Feb
3
Marines Contest Winners Andrea Cecchini and Martin Guitar – Where’s the 5D II, “For Us All”
Thank you to everyone who participated in the recent Where’s the 5d Contest II – “For Us All”. We receive 153 entries for the contest. There are a lot of [...]
Jan
28
Redrock Micro: Battle Tested Rigs, Innovation at an Affordable Price
Every rig that I have in our Hurlbut Visuals HDSLR rental division is Redrock Micro. Why, when there are so many rigs out there to choose from? Brian Valente and I go way back – back to March 2009 in fact – right when this whole DSLR revolution was just getting started.
Jan
7
CHANGE IS COMING
To give back to a community that has been gracious, creative, generous, inventive, inspiring and passionate, we have created a new look for the HurlBlog to help fuel this revolution. The new iteration of the HurlBlog will launch next week – stay tuned.
Dec
19
HP LP2480zx Dream Color: Your Eyes Into the DSLR Colorspace
When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.
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