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Posts Tagged ‘Cinematography’
Lighting Series Number 4: Extending Dawn on the Practice Field in “DrumLine”
My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.
HP LP2480zx Dream Color: Your Eyes Into the DSLR Colorspace
When I began working on “Act of Valor” I was using an Asus 17” monitor to light with. When I got into the color correction bay, I noticed that I had over-lit scenes because the monitor was not seeing what the camera was ultimately seeing.
Lighting Series Number 3: The Natural Look of Crazy/Beautiful
My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…
In Praise of Dissent: Adobe CS5 Paves The Way
Dissent: Voicing opinions that conflict with those that are commonly accepted or officially espoused.
When my Elite Team and I started blazing this trail, we had already become dissenters. We embraced a technology that in Hollywood was a joke, a fad, not viable. This is one of the great…
Lighting Series Number 2: Going Inside the Hallowed Walls of a Secret Society on "The Skulls"
When Rob Cohen asked me to shoot his next feature after we finished “The Rat Pack,” I was ecstatic. I could not wait to get the script. He told me that it was a thriller about the Skull and Bones Secret Society at Yale.
Helmet Cams: Visceral, Intimate, and Emotional Connection with Your 5D
The first job that I ever shot with the Canon 5D was as Director and DP on a webisode series that Director of “Terminator Salvation” McG asked me to do. We produced these webisodes as part of the “Terminator Salvation” marketing campaign to be used…
Lighting: An inside look into "The Rat Pack"
21 months ago I never could have predicted the direction of my life. With the invention of the 5D camera, I started to understand that creating the look of “digital film” took an of the box thought process and my collective experience as a cinematographer. I did not anticipate how much I would enjoy sharing and giving back through teaching because…
Camera Checklist for HDSLRs
Here is a little instructional video from our Hurlbut Visuals HDSLR Bootcamp. A huge thanks to editor Chris Fenwick (Slice Editorial) for taking the time to cut this footage!
I have talked in the past about the power of the hybrid approach. Taking the best from still photography and the best from motion picture photography and colliding them….
The First Annual Hurlbut Visuals HDSLR Bootcamp
Wow! What an amazing weekend. I am completely exhausted and that takes a lot! Our Bootcamp participants for this two-day intensive came from around the globe including: South America, Iceland, Italy, Mexico, South Africa, Hawaii and Puerto Rico! It was an inspiration to have such a variety of talented professionals…
A Call-out to all Filmmaker Co-collaborators in Mexico
Wow, what a ride this last 18 months has been! I find myself at the fore front of a technology that I know in my heart will change the way we EVENTUALLY make movies in Hollywood, but what is so exciting is that this is not a Hollywood story.
Canon 5D MK II & The Video Village Challenge
At first glance with the Canon 5D you notice one thing, the minute you plug a mini HDMI cable or a 1/8” mini plug into the outputs on the camera, your LCD screen disappears. It is like a sick magic trick that for some reason, not one person can figure out.
The Canon 5D in Big Sky Country with the MARINES
I am on the road again directing for Bandito Brothers www.banditobrothers.com/ and loving it. As a filmmaker, I am taking advantage of this inspiring, creative tool (a 5D camera) while stretching the budget. Our goal is to show the influence of the Marines around the globe while…
Color Grading the 5D MKII for Case Combines
There have been so many great comments on the BTS of the Case Tractor commercial that I wanted to share the 30 second spot with you. I am always comparing the 5D to Reversal Film Stock because you have to get it close in camera.
Hurlbut Visuals HDSLR Bootcamp: Join the Revolution of Digital Film
Hurlbut Visuals is looking for 40 forward thinking filmmakers, men and women to enlist in the pursuit of trail blazing this new technology with the few, the proud, the Elite Platoon.
Our motto is to educate and inspire one filmmaker at a time. On August 28 & 29 we are going to take…
Altering Lenses For Peak Performance
I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.
Keeping It Small
I have been doing research on other sites recently and checking out the monster camera configurations that people are creating. I question if that is the right path based on the two things attracted me to this camera; the filmic looking sensor and the size.
The Power of Focus
Focus is probably one of the biggest obstacles that the 5D encounters. So many of our colleagues have questions and wonder why it is absolutely essential to have a focus puller. They are the backbone of this amazing technology. Shooting with practical…
Picture Style: How Do You Choose?
I am frequently asked about picture style. There are so many internet sites making RAW picture styles, Flat picture styles, Panavision Genesis Picture Styles and all the picture styles in between for the Canon 5D, 7D, and the 1D. It is confusing to know which one to choose and I…
Tim’s Visit To Bandito Brothers
Tim was the second place winner for our “Where’s the 5D” online contest. He came to Bandito Brothers this week to meet me for lunch. It was an amazing experience for both of us! Tim is very bright with a vast knowledge of still photography. The day started out with Tim meeting Scotty Waugh, one [...]








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