Shane Hurlbut, ASC discusses lenses and the challenges of working with a still lens.
Posts Tagged ‘Canon 5D’
I treat each new digital camera that comes out as a new film emulsion, one that needs to be tested before I can use it to help tell my stories. The first step is to find the sensitivity of the sensor.
Waiting for Lightning, a documentary about pro skateboarding pioneer Danny Way, began production in 2008. Over the course of those four years, the documentary would embrace the modern evolution of camera systems to complete the project.
The Canon 5D Mark II opened the floodgates to new and creative filmmaking three years ago and is still going strong today. They remain a reliable workhorse for many cinematic options, particularly micro-budget, multi-camera shoots.
Shane and I and our entire team make it a priority to give back to filmmakers, our local communities, and others worldwide who may benefit from our time and expertise. Upcoming events in Toronto and Santa Monica.
Shane addresses the challenges of the HDSLR platform and helps find solutions to rolling shutter, moire and overheating.
I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.
Last year, we made a series of six educational videos with B&H to cover everything from the settings we use on the Canon 5D Mark II to the kind of lenses and equipment I recommend.
How we shot the action sequences for a series of Trane AC commercials with extreme heat and a bus crash.
My name is Mike McCarthy, and as the production engineer for Act of Valor, I worked with Shane and his team in developing solutions to the obstacles presented by early DSLR filmmaking, both on set and in post.
Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.
When director Scott Waugh called me to shoot the video for the “Act Of Valor” credit crawl song “For You” by Keith Urban, I was excited to have the opportunity to get the whole Elite Team back together. It was equally exciting to hear Keith’s amazing song, which supported the story perfectly.
We were in LA on February 25th for a screening of Act of Valor, followed by a panel discussion organized by Barry Anderson. Our friends from planet5D filmed the event, and we are embedding that video below.
We’ve had a ton of questions via Twitter, Facebook and the hurlblog about shooting Act of Valor, so I thought I would share them in a Q&A format. Thanks so much to everyone for your support and kind words about the film!
When Scotty Waugh and Mike “Mouse” McCoy, the incredible directing team at Bandito Brothers, asked me to shoot Act of Valor, I was excited, especially after listening to their unique vision for the making of this movie. I was ALL IN. The idea of reinventing the action genre was our mantra. To be able to immerse an audience in a 3D experience that was shot 2D; to capture POVs that felt like you were in an intense first person shooter video game; to move a 2.5 lb camera in ways that you have never seen before. These were the ideas that started to swirl in my head after our initial meeting.
I wanted to make all of you aware of a Tweet Up for Act of Valor. It will take place on Saturday, February 25th at the following location:
Regal LA LIVE Stadium 14
1000 W. Olympic Blvd.
Los Angeles, CA 90015
5:10pm – Act of Valor begins
7:00pm – Act of Valor TweetUp and In-Theater Q&A with Mouse McCoy & Shane Hurlbut
Since the invention of the Canon 5D, it has taken scouting to a whole new level and preparing that package that allows you can take advantage of serendipitous moments, lightning in a bottle so to speak, is essential.
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