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How to Set Up Menus for Cinematic Capture on the Canon 1DC

Shane’s suggested menu settings for using the Canon 1DC as a cinematic movie maker.

Anton Bauer QRC-CA940 Gold Mount Battery Plate for Canon C300 and C500

The Elite Team and I have been field testing different power and cable management systems. We have found that the best solution to power the Canon C500 and C300 are the Anton Bauer Dionic batteries, along with the Anton Bauer QRC-CA940 Gold Mount battery plate.

The Picture of Versatility: Canon 5D Mark II Helmet Camera

I designed a helmet mount for the Canon 5D Mark II with Gary Hatfied, Dan Owens from Panavision to capture the first person point of view action in a new way. The camera is extremely versatile with…

What Makes a Great Reel?

A reel is your creative expression and a very powerful tool to showcase unique talent.

How A Strategic Team Makes You Shine

I am frequently asked how we get so many set ups in a day and how we stay on schedule and budget while shooting. The answer is my Elite Team. I am nothing without my team and they make me shine everyday.

How Lenses Assist in Storytelling

The lens’ traits can help tell your story. The look and feel of lenses, their characteristics of color and contrast rendition, are all relevant factors.

Zeiss Lenses: Sharp and Snappy

Lenses are one of the most critical choices when you are mounting the Canon 5D Mark II to a lens. Do not treat this camera like it is a film body. Remember to mount the camera to the lens, not the opposite.

Mixing Formats: Arri Alexa, Canon 5D and C300 on a New Mexico DOT Spot

I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.

Turning Still Cameras Into PL Mount Movie Makers

It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…

Lighting Basics: Going With What is Available

The exciting thing about the Arri Alexa, F-3 and the new wave of DSLR’s is their high ISO range to minimum [...]

Using Color Temp to Create Depth and Dimension with your HD Video

Lighting so that you can tell your stories with realism and accurate color temp.

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

Documentary Filmmaking: Tell Small Stories

As filmmakers, we have such an opportunity to tell small stories like Richard’s and it doesn’t take a lot of gear.

Canon 5D MK II & The Video Village Challenge

At first glance with the Canon 5D you notice one thing, the minute you plug a mini HDMI cable or a 1/8” mini plug into the outputs on the camera, your LCD screen disappears. It is like a sick magic trick that for some reason, not one person can figure out.

Small Size, Big Value: The Canon 5D Mark II As A MovieMaker

The Canon 5D Mark II is approximately 2.5 pounds with a still lens, 4.5″ high 3″ deep and 6″ long. Wow!

It is nimble and inexpensive so you can have multiple camera bodies working in different configurations simultaneously. Not being stuck with a traditional shoulder mount allows you to create a new visual language.