Sponsored By

  • Camera
  • Cinematography
  • Lenses
  • Lighting
  • Projects / Films

Canon 1DC Camera Tests from “The Ticket”

It has been a whirlwind since NAB, with all of the new emerging 4K technology and where this fits into the filmmaking process. Here are our tests with the Canon 1DC 4K DSLR camera.

Mixing Formats: Arri Alexa, Canon 5D and C300 on a New Mexico DOT Spot

I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.

Blackmagic Cinema Camera: The Perfect Training Ground for Cinematographers

The similarities of 16mm film and the Blackmagic Cinema Camera (BMCC) and why it is a great training ground for cinematographers.

Filmmaker’s Spotlight – Tenebrae Lux

Ryan Boran is an inspiration to the indie filmmaking community, and we want to congratulate him for getting selected for this month’s Filmmakers Spotlight.

Julien Lasseur’s Project Greenlight Video

Please vote for Captain Torpedo to support Julien Lasseur.

Leadership: Paramount for Filmmakers

All of you have been so gracious with your comments about how much I help all of you and make a difference, or changed your life in some way. This is a huge responsibility that I take very seriously. I need to set a great example. I need to do my very best, and I need to illustrate for all of you what it means to be a good leader.

Hurlblog Interview I: Dr. Scherle Shares the History of Zeiss and Sheds Light on the Future

Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.

Nikon Lenses: Sharp and Soft

I love lenses and examining the subtle differences with each one so I am confident in the resulting image.

Nikon lenses are sharp with a little softer contrast than the Zeiss lenses. The older A lenses are nice because they have a wider

Why Do We Want Flat Glass?

Tests with the newest Leica Summilux C lenses vs. the gold standard Cooke S4s for Fathers and Daughters.

Kino Flo: Frieder Hochheim Hurlblog Interview Part 2

Freider Hochheim continues the conversation about the direction and future of Kino Flo.

Shane Hurlbut’s Go To Lighting Package

Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.

How to Light for Specific Camera Blocking: Master to Close-Up

What I think about when I am blocking a scene and my preferences on how to work from the master to the close-up.

The Making of The Carnival Sequence from “The Last 3 Minutes”

Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.

Act of Valor: A Case Study in Out of the Box Filmmaking

I spoke at “Adobe Tips and Flicks” in 2012 about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor.

Storytelling Through Composition Part 2

I wanted to thank you all for the huge response on part one of Storytelling Through Composition. Now we move into the tighter side of framing.