- Projects / Films
Shutter angle is an important story-telling tool. As a Director of Photography, I love this technique and wanted to show you how I have used it to assist in the character’s emotional arc.
The Elite Team and I have been field testing different power and cable management systems. We have found that the best solution to power the Canon C500 and C300 are the Anton Bauer Dionic batteries, along with the Anton Bauer QRC-CA940 Gold Mount battery plate.
Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the whole movie-organize, create, and schedule it in a way that is best for light.
How do I create? … Like a 5 year old. Try new things. Be selective. You have to follow your heart and believe in your ability and the longevity of your career.
I remember being creative from the time that I was little. Perhaps it was from growing up in the middle of nowhere on a farm in central New York and the fact that I was an only child. I had to create my own fun.
The Illumination Experience Tour is in full swing. Here is a backstage tour of the movie sets we use from Swing Vote and Crazy/Beautiful.
The Multi-Mount is a modification process developed by Duclos Lenses that offers a variety of mounts to be swapped on a given lens.
My cinematography interns and I set out on a mission to showcase the many uses of a polarizing filter.
I am back on land and ready to tear it up. The January newsletter has been a big success and I thank you all for your comments and suggestions. This is a collaborative effort and we value your input.
I have been getting many comments from people…
How to read a color temp meter and why it is important. I have always loved understanding the color of different lights — street lights, fluorescents in a store, neon, moonlight, etc.
When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.
Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.
When Rob Cohen asked me to shoot his next feature after we finished “The Rat Pack,” I was ecstatic. I could not wait to get the script. He told me that it was a thriller about the Skull and Bones Secret Society at Yale.
As filmmakers, we have such an opportunity to tell small stories like Richard’s and it doesn’t take a lot of gear.
When Scotty Waugh and Mike “Mouse” McCoy, the incredible directing team at Bandito Brothers, asked me to shoot Act of Valor, I was excited, especially after listening to their unique vision for the making of this movie. I was ALL IN. The idea of reinventing the action genre was our mantra. To be able to immerse an audience in a 3D experience that was shot 2D; to capture POVs that felt like you were in an intense first person shooter video game; to move a 2.5 lb camera in ways that you have never seen before. These were the ideas that started to swirl in my head after our initial meeting.