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Podcast on Selecting Cameras for Need for Speed

The approach to selecting cameras for Need for Speed. It’s about each camera’s unique abilities and how to use those abilities to your advantage.

Hurlbut Visuals Launches New DSLR Rental Division at Cine Gear 2011

I want to invite all of you to Cine Gear 2011. Hurlbut Visuals is launching our new DSLR Cinema Rentals division with new rigs and out of the box innovation.

Canon 1DC Camera Tests Outside the Studio

How important it is to take your camera tests out of the studio and on to location. You want to see how your camera’s emulsion handles highlights, hot skies, night exteriors and night interiors.

The Cineped: Full 360° Rotatable Slider

As a cinematographer, movement is an integral part of conveying your creative vision and the storytelling process. Whether subtle or dramatic, it’s another tool in your box of creative options.

Contest – Where’s the GoPro in Need for Speed?

Find the GoPro Hero 3 shots in the new Need for Speed SuperBowl Trailer and enter to win.

Here’s the GoPro in the Need for Speed Trailer

Thanks so much to everyone who gave it a shot and entered our Where’s the GoPro in the Need for Speed Trailer? contest. It wasn’t easy, but eight of you correctly answered all of the trivia questions and uploaded the two correct screenshots

Rosco View: New Frontier Tools

The Rosco View has increased my speed on location tenfold. Innovation, creation. I love what I do.

Using Color Correction Gels with New Digital Cameras

Color correction gels can be used many ways, but what I will discuss is how to use them in subtle ways to create color contrast with the new digital sensors.

Nikon Lenses: Sharp and Soft

I love lenses and examining the subtle differences with each one so I am confident in the resulting image.

Nikon lenses are sharp with a little softer contrast than the Zeiss lenses. The older A lenses are nice because they have a wider

Tiffen Vari IRND Brings Cinematic Look to the BMCC

Welcome to the Hurlbut Visuals Blackmagic Cinema Camera Tiffen Variable ND test.

Lens Test with Zeiss ZE and CP2s, Canon L Series and Leica R Glass

Part of being a cinematography intern is not only knowing all the gear, but how it can be used to enhance your visual story telling. The characteristics of a lens can infuse a mood, a style, etc. Being obsessed in the subtleties is key. Shane encourages us to use all our tools and test them in the line of fire. We have been using Canon, Leica, and Zeiss lenses but haven’t had the chance to compare them all side by side.

Steve Tiffen of Tiffen Filters Hurlblog Interview: The Tiffen Company

In November of last year I had the pleasure of interviewing Mr. Steve Tiffen of the Tiffen Company [...]

Lighting Series Number 4: Extending Dawn on the Practice Field in “DrumLine”

My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.

My Go To Lighting Package Part Two: The Basics

When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.

The Power of Lighting with Just Two Lights: We Are Marshall

Working with less is how I like to light. On We Are Marshall, I challenged myself and my team to think about how we could light a major night exterior in the rain with just two lights.

Top 10 Hurlblog Posts of 2013

We run down our top ten most read blog posts from 2013

Reading a Light Meter: Tips and Tricks

The light meter is essential for matching and to get your head around light ratios as a young cinematographer.

The Making of The Carnival Sequence from “The Last 3 Minutes”

Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.

The Most Customizable On-Camera Monitor Available