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Interview with Greg Staten on the HP DreamColor Monitor

Greg is dedicated to producing a great monitor. He’s fascinated with what his clients are doing with HP’s products, and he’s always looking for improvements.

Using Color Temp to Create Depth and Dimension with your HD Video

Lighting so that you can tell your stories with realism and accurate color temp.

Inspiration and Passion Create Innovation: The Big Story Behind SmallHD

The trailer for the documentary that Hurlbut Visuals produced about this forward thinking company called SmallHD, founded by Wes Phillips and Dale Backus.

Altering Lenses For Peak Performance

I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.

The Canon 5D Mark II vs. Extreme Heat

The Untitled Navy SEAL movie has taken me to some of the most extreme working conditions that I have ever experienced in my career as a Director of Photography. We traveled to the following locations: the jungles of Costa Rica, the swamps of Mississippi…

Camera Configurations: Your Best Ally

Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and crews that ever. One way to meet that need is by increasing your speed without sacrificing quality. Specifically, when using Canon 5D Mark II camera for a project…

HDSLR Challenges: Working With a Still Lens

Shane Hurlbut, ASC discusses lenses and the challenges of working with a still lens.

Leica R Mount Lenses for the Canon HDSLR’s

I started giving a Leica list out to individual colleagues and the request kept coming, so we decided to share it with everyone on the blog. These lenses are only R-Mount, they are the cream of the crop and through variest test we have found them to be excellent.

Turning Still Cameras Into PL Mount Movie Makers

It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…

How Lenses Assist Storytelling: Part Three

Mr. 3000 Camera Lens Restraint. How different lenses, lighting and color help assist in storytelling.

Tiffen and HV Collaborate To Make Extraordinary Images with Water White Glass

When I was doing a Canon 5D film test in January of 2010, I put eight 5D’s in a line for this cool action camera array.

Steve Tiffen of Tiffen Filters Hurlblog Interview: The Tiffen Company

In November of last year I had the pleasure of interviewing Mr. Steve Tiffen of the Tiffen Company [...]

Lighting Series Number 4: Extending Dawn on the Practice Field in “DrumLine”

My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.

Infusing First Person POV Into Mountain Dew GAME FUEL MW3

In mid-October, I got a call from McG to see if I was available to do a Mountain [...]

DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras

This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.

Using Color Temp to Create Depth and Dimension with your HD Video

Lighting so that you can tell your stories with realism and accurate color temp.

What It’s Like to be a Hurlbut Visuals Intern (Introduction by Shane Hurlbut, ASC)

Meet the Cinematography Intern DREAM TEAM by Shane Hurlbut The...

Lighting Basics Series I: Where to place your KEY LIGHT

One of the most popular requests was for lighting instruction. In the HD world and film, lighting is king. Knowing how to light and not just rely on available light is what being a cinematographer is all about.

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