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A Media Manager Has Your Back

In the world of HDSLR technology, media management is a very important position. Every Elite Team member has held this position at some point during the untitled Navy Seal Movie to gain an understanding of HD image capture in a small footprint work-flow system.

Using a Crane: Educating your Audience on Geography & the Art of Discovery

Crane moves can give you scope, geography and the sense of discovery. Understand why you are doing it first, not just because it looks cool.

The Canon 5D Mark II vs. Extreme Heat

The Untitled Navy SEAL movie has taken me to some of the most extreme working conditions that I have ever experienced in my career as a Director of Photography. We traveled to the following locations: the jungles of Costa Rica, the swamps of Mississippi…

Canon 5D MK II & The Video Village Challenge

At first glance with the Canon 5D you notice one thing, the minute you plug a mini HDMI cable or a 1/8” mini plug into the outputs on the camera, your LCD screen disappears. It is like a sick magic trick that for some reason, not one person can figure out.

Canon C500 vs. Film Camera Test

The Need for Speed camera test comparisons continue, with the Canon C500 vs. 35mm Kodak film stock.

Arri Alexa vs. Canon C500

Here is the first of a three part series on the Arri Alexa vs. the Canon C500 in camera tests for Need for Speed.

Why Do We Want Flat Glass?

Tests with the newest Leica Summilux C lenses vs. the gold standard Cooke S4s for Fathers and Daughters.

Shane’s Gear Bag

I have been asked by many of our readers to share details regarding my personal Gear Bag. I use a vast array of tools to be able to tell all types of stories. I wanted to break it down with detail.

Altering Lenses For Peak Performance

I have had many discussions about the different lens options other than Zeiss ZE’s and Canon’s that mount to the Canon cameras. Zeiss took it to the next level with their Canon mount CP2’s and their new Zooms that come out this summer.

HDSLR Challenges: Working With a Still Lens

Shane Hurlbut, ASC discusses lenses and the challenges of working with a still lens.

Part 2: Color Correction Made Easy

Matching different lenses to save time during color correction.

Mixing Formats: Arri Alexa, Canon 5D and C300 on a New Mexico DOT Spot

I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.

The Making of The Janitor Sequence From “The Last 3 Minutes”

When Canon and Hurlbut Visuals teamed up on this joint venture, we wanted to put together a trilogy of Behind the Scenes videos where I narrated about what goes on inside my head as a cinematographer. We also wanted to show that even though there is a planning process…

Creating a Beauty Light with a Book Light

My Book Light tutorial on how to build it and why it is so useful. Plus, how I got started in this business.

Lighting Series Number 4: "Into the Blue" Sunset for Hours

When John Stockwell asked me to do a film set in the Bahamas about sunken treasure, greed, fun, and really hot chicks I was in. I had never done a movie on the water.

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

What It’s Like to be a Hurlbut Visuals Intern (Introduction by Shane Hurlbut, ASC)

Meet the Cinematography Intern DREAM TEAM by Shane Hurlbut The...

My Go To Lighting Package Part Two: The Basics

When you have a small team to tell your story, you need to find lights that do many things and provide many color temps. You need some that can focus and ones that are a broad source.