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Flanders CM 250 – The Lighting and Exposure Monitor of the Future

The CM 250 is a 24” OLED display that is crisp, clean and delivers beautiful blacks.

"The Last 3 Minutes" Canon 5D 24p Firmware Shines

As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.

Elite Team Member Tim Holterman: The DP6 and the Oracle "SmartLapse" System

As we blaze the cinematic trail we are always on the lookout for the best gear possible. Recently the guys over at SmallHD sent us the brand new DP6 Monitor. We haven’t had time to put it through any grinding tests but so far it looks pretty useful. For its lightweight size (5.6″), it’s a powerhouse.

Deadfall’s Camera Breakdown: Artistry Meets Organization

Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the whole movie-organize, create, and schedule it in a way that is best for light.

Shane Hurlbut, ASC Master Cinema Series

Over the past 3 years, my team and I have shot 2 feature films [...]

The Cineped: Full 360° Rotatable Slider

As a cinematographer, movement is an integral part of conveying your creative vision and the storytelling process. Whether subtle or dramatic, it’s another tool in your box of creative options.

Filtration: Beware Of The Reaper Of Cheap Glass

Making HD look like film has a cocktail and one of the essential ingredients to this flavorful recipe is Neutral Density. You have to keep your exposure on a 5D around a 5.6 to get that beautiful shallow depth of field. The 7D should be around…

Tiffen Vari IRND Brings Cinematic Look to the BMCC

Welcome to the Hurlbut Visuals Blackmagic Cinema Camera Tiffen Variable ND test.

Leica R Mount Lenses for the Canon HDSLR’s

I started giving a Leica list out to individual colleagues and the request kept coming, so we decided to share it with everyone on the blog. These lenses are only R-Mount, they are the cream of the crop and through variest test we have found them to be excellent.

Why Do We Want Flat Glass?

Tests with the newest Leica Summilux C lenses vs. the gold standard Cooke S4s for Fathers and Daughters.

Diffusion for the Digital Age – Using Stockings

Using stockings to add a glow, a pearlescent quality, to transport you to a time period that had a sense of glamor, when movie stars were king.

Diffusion for the Digital Age – Using Smoke

Using the right filtration to impose a mood, create a style, encapsulate a time period or just to cream a woman’s skin can be a very powerful visual tool. The first diffusion I go to time and time again, whether it is film or HD, is smoke.

The Power of Lighting with Just Two Lights: We Are Marshall

Working with less is how I like to light. On We Are Marshall, I challenged myself and my team to think about how we could light a major night exterior in the rain with just two lights.

Reading a Light Meter: Tips and Tricks

The light meter is essential for matching and to get your head around light ratios as a young cinematographer.

Lighting Basics: Going With What is Available

The exciting thing about the Arri Alexa, F-3 and the new wave of DSLR’s is their high ISO range to minimum [...]

Large Sensor Cameras – Economical Lighting

The new wave of Large sensor cameras with their high ISO range and light sensitivity are changing the way cinematographers [...]

The Buzz About Plasma Light Tech: Hive Lighting

A few weeks ago, I shot a run and gun style web series and the generous team over at Hive Lighting gave me one of their units to demo. Plasma light technology is pretty incredible.

What It’s Like to be a Hurlbut Visuals Intern (Introduction by Shane Hurlbut, ASC)

Meet the Cinematography Intern DREAM TEAM by Shane Hurlbut The...

The Music Bed Tiffen/Lowel