- Projects / Films
The CM 250 is a 24” OLED display that is crisp, clean and delivers beautiful blacks.
Being the gatekeeper of the Hurlbut inventory, I see all types of gear come and go every week.
I have been doing research on other sites recently and checking out the monster camera configurations that people are creating. I question if that is the right path based on the two things attracted me to this camera; the filmic looking sensor and the size.
The lens’ traits can help tell your story. The look and feel of lenses, their characteristics of color and contrast rendition, are all relevant factors.
Many of you have asked for feedback on your latest work of art. Here is your opportunity. We are now launching the HV Filmmaker’s Spotlight.
The Why, The Where and The When to Move the Camera: Using a Dolly on Mr. 3000
Mr. 3000 Camera Lens Restraint. How different lenses, lighting and color help assist in storytelling.
Part of being a cinematography intern is not only knowing all the gear, but how it can be used to enhance your visual story telling. The characteristics of a lens can infuse a mood, a style, etc. Being obsessed in the subtleties is key. Shane encourages us to use all our tools and test them in the line of fire. We have been using Canon, Leica, and Zeiss lenses but haven’t had the chance to compare them all side by side.
Color correction gels can be used many ways, but what I will discuss is how to use them in subtle ways to create color contrast with the new digital sensors.
The trailer for the documentary that Hurlbut Visuals produced about this forward thinking company called SmallHD, founded by Wes Phillips and Dale Backus.
We run down our top ten most read blog posts from 2013
On The Ticket, the lighting was a challenge because we used natural, available light and shaped it. I turned lights off, then added accent lights to bring out the depth of a location.
Are you following me on Twitter? How about Facebook? In the spirit of the holidays, we have two Act of Valor dvds to give away. All you need to do to become eligible to win is to follow Hurlbut Visuals on Twitter or Facebook.
The Need for Speed camera test comparisons continue, with the Canon C500 vs. 35mm Kodak film stock.
Wow, what a ride this last 18 months has been! I find myself at the fore front of a technology that I know in my heart will change the way we EVENTUALLY make movies in Hollywood, but what is so exciting is that this is not a Hollywood story.
Popular Posts This Month
Here are the apps that I wish I had when I was a budding young filmmaker to help navigate the waters.
Many of you ask, why MōVI? It comes down to the team behind the product, the support, the innovation, the forward thinking, the ability to future proof a product. Freefly Systems delivered.
Your first point of lighting is your key light, which is the light that exposes the face.
As a cinematographer, you are always asked to make compromises. With Gabriele Muccino’ s vision and my ideas for lighting and camera, we were taxing the budget to the absolute limit.
. Our director, Gabriele Muccino saw these videos with the MoVI, and we wanted to come up with the shot that showed the unique ability to be able to pass this camera off from one operator to the other.
It’s time for the November Inner Circle podcast, where I answer your questions. This month, the podcast is themed around lighting questions, and I’ve included the actual questions below....