Sponsored By

  • Camera
  • Cinematography
  • Lenses
  • Lighting
  • Projects / Films

Canon 1DC Camera Tests Outside the Studio

How important it is to take your camera tests out of the studio and on to location. You want to see how your camera’s emulsion handles highlights, hot skies, night exteriors and night interiors.

Blackmagic Cinema Camera: Putting It Through the Paces

More camera tests between the Blackmagic Cinema Camera, Arri Alexa and Sony F5

"Sports Authority" with the The Kessler V3 Crane and Revolution Head

When director Peter Odiorne asked me to shoot Sports Authority “Shoe,” the [...]

What’s Your Medium? by Elite Team Member Bodie Orman

You are going to Dubai to shoot a motorcycle race that will require mobility and high speed.

About Sundance Film Festival: Why It Matters

The pilgrimage to a small town in the Utah mountains has been going on for years. With creativity and wonderful storytelling, the Sundance Film Festival has [...]

The First Annual Hurlbut Visuals HDSLR Bootcamp

Wow! What an amazing weekend. I am completely exhausted and that takes a lot! Our Bootcamp participants for this two-day intensive came from around the globe including: South America, Iceland, Italy, Mexico, South Africa, Hawaii and Puerto Rico! It was an inspiration to have such a variety of talented professionals…

Hurlblog Interview I: Dr. Scherle Shares the History of Zeiss and Sheds Light on the Future

Hurlbut Visuals is excited to introduce the Hurlbut Visuals Blog Interview Series.

Zeiss: A Cinematic Journey on "Act of Valor"

When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene [...]

Filtration: Beware Of The Reaper Of Cheap Glass

Making HD look like film has a cocktail and one of the essential ingredients to this flavorful recipe is Neutral Density. You have to keep your exposure on a 5D around a 5.6 to get that beautiful shallow depth of field. The 7D should be around…

Lighting Series Number 4: Extending Dawn on the Practice Field in “DrumLine”

My phone rang on an evening in the late summer of 2000 while I was directing a Children’s Hospital commercial in Kansas City. It was Tim Bourne, a Hollywood Line Producer. He asked me if I had read the script he sent me a week ago.

Shane Hurlbut’s Go To Lighting Package

Many of you requested information on the go to lighting package. Having a package that can do many types of lighting is the secret. Lights that can multi-task are my recipe for success.

Herb Ritts Exhibit at the J. Paul Getty Museum

From 1991-1996, I had the unique opportunity to work with one of the most talented still photographers of the 20th Century. Not only was Herb Ritts a great artist, he was also an amazing human being.

One Sunrise: In One Day, One Moment, A Turning Point Captured Across America for Prudential

We employed Technicolor’s Cinestyle on its maiden voyage. This picture style seemed to work well in [...]

Camera Motion for Filmmakers

The Why, The Where and The When to Move the Camera: Using a Dolly on Mr. 3000

“Act of Valor” Workflow and Post Production

My name is Mike McCarthy, and as the production engineer for Act of Valor, I worked with Shane and his team in developing solutions to the obstacles presented by early DSLR filmmaking, both on set and in post.