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Gemini 4:4:4 RAW: Your 4K/2k/1080p Recording Solution

Testing the new Gemini 4K RAW Recorder. I am all about keeping things compact and mobile, and the Gemini has this in spades. It is very small and has a very cool on-board monitor so that you can immediately check the digital gate.

Turning Still Cameras Into PL Mount Movie Makers

It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…

Tim’s Visit To Bandito Brothers

Tim was the second place winner for our “Where’s the 5D”...

DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras

This week’s post will focus on the subject of DSLR cinema and a fantastic resource known by the same name – DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras.

Las Vegas Meet Up

Sunday, April 6, 5:00pm-6:30pm West Wing Bar Inside the MGM Grand Hotel...

American Cinematographer Podcast on Shooting Deadfall

American Cinematographer recently produced a podcast about shooting Deadfall — “going inside the visual landscape of a suspense filled winter wonderland.”

Zeiss: A Cinematic Journey on "Act of Valor"

When I started to prep “Act of Valor” in April of 2009, we were using Canon glass on the first 2 days of shooting. The hot girls on deck and the interrogation scene [...]

How Lenses Assist in Storytelling

The lens’ traits can help tell your story. The look and feel of lenses, their characteristics of color and contrast rendition, are all relevant factors.

Using Color Correction Gels with New Digital Cameras

Color correction gels can be used many ways, but what I will discuss is how to use them in subtle ways to create color contrast with the new digital sensors.

The Buzz About Plasma Light Tech: Hive Lighting

A few weeks ago, I shot a run and gun style web series and the generous team over at Hive Lighting gave me one of their units to demo. Plasma light technology is pretty incredible.

Lighting Series Number 3: The Natural Look of Crazy/Beautiful

My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…

The Power of Lighting with Just Two Lights: We Are Marshall

Working with less is how I like to light. On We Are Marshall, I challenged myself and my team to think about how we could light a major night exterior in the rain with just two lights.

Act of Valor: A Case Study in Out of the Box Filmmaking

I spoke at “Adobe Tips and Flicks” in 2012 about “out of the box” filmmaking with the Canon 5D MkII on Act of Valor.

Tweet Up for Act of Valor on Saturday, February 25 in LA

I wanted to make all of you aware of a Tweet Up for Act of Valor. It will take place on Saturday, February 25th at the following location:
Regal LA LIVE Stadium 14
1000 W. Olympic Blvd.
Los Angeles, CA 90015
5:10pm – Act of Valor begins
7:00pm – Act of Valor TweetUp and In-Theater Q&A with Mouse McCoy & Shane Hurlbut

Lighting Series Number 3: The Natural Look of Crazy/Beautiful

My next picture was with a director named John Stockwell. After signing onto this project I came to realize that John’s style and sensibility would change me forever as a cinematographer. We both felt this needed a fresh look: something that was…