Tiffen has supported me as a cinematographer for over 15 years. When I started to use HDSLR’s, I quickly realized that a clean, pure and reliable neutral density would be required to bring out the best…
HP is my electronic viewfinder with the HDSLR color space. Never before have I been so impressed with the visual accuracy.
I have shot with Zeiss lenses since 1991 with music videos. They have been there every step of the way creating excellent glass to push the limit and expand a cinematographer’s creativity.
A simple move can change the scope of a shot, the mood, and accent an actor’s performance. I love the feeling of being one with the camera and moving it by hand. The Kessler Crane Cineslider is lightweight and quiet but beefy enough for a large form camera.
The first time I saw footage sent through CS5, I was hooked. They have specifically designed CS5 and Premiere Pro around the Canon 5D, 7D, and 1D platform.
I’ve shot 15 features, and everyone one of those features has a Kino Flo Package in it. Kino Flo lights give you a lot of output for a very small amount of amperage. This makes you nimble; it makes you incredibly quick, and you can move with the greatest of ease.