Many people have asked about how I am processing these huge files from the Canon 1D C and its powerful 4K in camera capture. Here is how we roll it out.
Need for Speed
Lighting Day Exteriors
Lighting day exteriors is as much about choosing the right time as it is about your manipulation of the daylight.
Your 4K Pro Recording Solution for the Canon C500
The Codex S Recorder is incredibly lightweight and gives you assurance that your negative is under lock and key. See how we are using it on Need for Speed.
HurlBlog Reader Survey
Please complete this brief survey and you will be entered in a drawing to win a one hour call with both Shane Hurlbut and Lydia Hurlbut. Ends May 10.
Podcast on Selecting Cameras for Need for Speed
The approach to selecting cameras for Need for Speed. It’s about each camera’s unique abilities and how to use those abilities to your advantage.
Hurlbut Returns Podcast
I joined the NeedCreative Podcast again this week. We talked about the art and science of cinematography and then did a mini-workshop. I go into story scenarios and how I would light and lens them.
Turning the Blackmagic Cinema Camera into a Movie Making Machine
Blackmagic graciously supplied a camera for testing. We pushed and pulled this baby to see when it would break as well as where it excelled.
Using Color Temp to Create Depth and Dimension with your HD Video
Lighting so that you can tell your stories with realism and accurate color temp.
Digital Cinematography vs Film: Tides are Turning
As I embark on a long creative, exciting journey on Need for Speed with DreamWorks, I wanted to share some of my most recent findings from a five day camera test that pushed every camera to its breaking point.








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