Shane addresses the challenges of the HDSLR platform and helps find solutions to rolling shutter, moire and overheating.
I love shooting commercials that make a difference and give back to local communities. Hurlbut Visuals recently collaborated with Vaughn Wedeen Kuhn to lens the next set of Department of Transportation spots for New Mexico.
Last year, we made a series of six educational videos with B&H to cover everything from the settings we use on the Canon 5D Mark II to the kind of lenses and equipment I recommend.
How we shot the action sequences for a series of Trane AC commercials with extreme heat and a bus crash.
We have had an outpouring of positive feedback on Po Chan’s film “The Ticket.” Everyone at Hurlbut Visuals wanted to give you an inside look at how we used the power of this incredibly flexible, lightweight, DSLR platform, the A camera system that is the 1DC. It gives any filmmaker the ability to dream.
When Canon approached me to test and shoot a short film for their new 1DC 4K DSLR, I was more than excited. After the first night of testing, one word came to mind. WOW!!!
The current spot was for El Pollo Loco, and the concept was a very action oriented camera, with snap zooms and quick handheld push ins and pull outs. I thought the Canon C300 would be the perfect camera for this job, lightweight and maneuverable.
Let’s look at how the crash cam world has changed because of the Canon 5D. It has replaced the eyemo that used to be a clapper of a 35 or 16mm with bad lenses. It could be blown up, bashed into, driven over, or you could even have a car land right on it.
When Scotty Waugh and Mike “Mouse” McCoy, the incredible directing team at Bandito Brothers, asked me to shoot Act of Valor, I was excited, especially after listening to their unique vision for the making of this movie. I was ALL IN. The idea of reinventing the action genre was our mantra. To be able to immerse an audience in a 3D experience that was shot 2D; to capture POVs that felt like you were in an intense first person shooter video game; to move a 2.5 lb camera in ways that you have never seen before. These were the ideas that started to swirl in my head after our initial meeting.
I found this Digital Camera Comparison chart over at Fletcher Camera & Lenses, and it’s handy for comparing all the different digital cinema cameras available now. Camera choice in the film days used to be either Panavision or Arriflex, but now there are so many options in the digital cinema world.
Since the invention of the Canon 5D, it has taken scouting to a whole new level and preparing that package that allows you can take advantage of serendipitous moments, lightning in a bottle so to speak, is essential.
In mid-October, I got a call from McG to see if I was available to do a Mountain [...]
Whether you love your 5D, shoot weddings with a Sony FS-100, shoot music videos with your 7D, or [...]
Over the past 3 years, my team and I have shot 2 feature films [...]
When director Peter Odiorne asked me to shoot Sports Authority “Shoe,” the [...]
In a previous blog entry, Shane talked about the 5D MKII and how it integrates with [...]
My dear friend Frieder Hochheim goes into the history of his innovative, forward thinking, Eco-friendly company that started renting out of a small van in the 80′s and now is the industry leader in everything that is soft, controllable fluorescent technology. Frieder and the future: Their new LED technology will blow you away. I had [...]
I want to invite all of you to Cine Gear 2011. Hurlbut Visuals is launching our new DSLR Cinema Rentals division with new rigs and out of the box innovation.
Being the gatekeeper of the Hurlbut inventory, I see all types of gear come and go every week.
Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the whole movie-organize, create, and schedule it in a way that is best for light.