After completing the Navy SEAL movie Act of Valor, my team and I created a workflow and camera [...]
HDSLR Cameras
Helmet Cams: Visceral, Intimate, and
Emotional Connection with Your 5D
The first job that I ever shot with the Canon 5D was as Director and DP on a webisode series that Director of “Terminator Salvation” McG asked me to do. We produced these webisodes as part of the “Terminator Salvation” marketing campaign to be used…
A Hybrid Shoot In America’s Heartland for Case Tractor
Three weeks ago I was selected as the director for a national commercial campaign for Case Tractors. It would be my first solo directing gig after signing with the Bandito Brothers one month ago. In the commercial world, an advertising agency is hired by the client, which…
Turning Still Cameras Into PL Mount Movie Makers
It seems like everyone is jumping on the PL mount 7D bandwagon and I have to say it is very unfortunate that the 5D does not have the same energy. All the specs on a PL mounted 5D have shown that the vignette is a big issue. Most cinema lens…
The Making of “The Last 3 Minutes”
When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.
“The Last 3 Minutes” Canon 5D 24p Firmware Shines
As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.
Responsible Filmmaking
When I stumbled onto this HDSLR technology, I realized within minutes of using the technology that it was a “game changer” and the rulebook had to be thrown out and a new one created.
I thought if we can start a new rulebook…





