The Why, The Where and The When to Move the Camera: Using a Dolly on Mr. 3000
Theory
Hurlbut Returns Podcast
I joined the NeedCreative Podcast again this week. We talked about the art and science of cinematography and then did a mini-workshop. I go into story scenarios and how I would light and lens them.
The Power of a Short and Sweet Demo Reel
Demo reel scrutiny. You want to show everything, but short and sweet is simply the best advice I can give you.
American Cinematographer Podcast on Shooting Deadfall
American Cinematographer recently produced a podcast about shooting Deadfall — “going inside the visual landscape of a suspense filled winter wonderland.”
Hurlbut’s Visuals Podcast
The NeedCreative Podcast is an online radio show that covers topics related to creativity. I had the privilege of being the guest of co-hosts Paul Antico and Jason Sidelinger from Anticipate Media to discuss my history and experiences in the film industry.
Creating a Beauty Light with a Book Light
My Book Light tutorial on how to build it and why it is so useful. Plus, how I got started in this business.
Cinematography Education: Upcoming Events in NYC and Austin
As cinematographers, our storytelling camera tools change on a monthly basis, and trying to keep up with all of this is a daunting task. However, the two core tools of storytelling that never change are light and composition.
Educational Resource Books for Cinematography
Many people have approached me with questions about books that have inspired me as a filmmaker. We have compiled a list of valuable resources for you to use to expand your scope and vision.
The Importance of Camera Tests
We have so many new digital tools at our disposal that you cannot just pick them up and start shooting with them. Treat your new digital camera like a new film emulsion that needs testing.
Storytelling Through Composition Part 2
I wanted to thank you all for the huge response on part one of Storytelling Through Composition. Now we move into the tighter side of framing.
Storytelling through Composition
Many of you have expressed an interest in composition: what makes a good frame or a bad one. There are a few classic frames that I customize to give them flare. I think this will help all of you find your compositional voice.
About Sundance Film Festival: Why It Matters
The pilgrimage to a small town in the Utah mountains has been going on for years. With creativity and wonderful storytelling, the Sundance Film Festival has [...]
What Makes a Great Reel?
A reel is your creative expression and a very powerful tool to showcase unique talent.
Technicolor’s New Picture Style- Cine Style
My last blog post was about story and not getting caught up in all the tech/gear frenzy. Now, I want to talk about [...]
The Story is What Matters
This year, I had the privilege of experiencing NAB from Montreal while shooting my latest feature “KIN.”
What’s Your Medium? by Elite Team Member Bodie Orman
You are going to Dubai to shoot a motorcycle race that will require mobility and high speed.
Prepping "KIN"
One week ago I was slated to do two amazing car commercials for the Bandito Brothers, one for Yokohama and the other for Hot Wheels. The spots both had a very unique style and approach. One would be shot with our hybrid 35mm motion picture film and [...]
CHANGE IS COMING
To give back to a community that has been gracious, creative, generous, inventive, inspiring and passionate, we have created a new look for the HurlBlog to help fuel this revolution. The new iteration of the HurlBlog will launch next week – stay tuned.
The First Annual Hurlbut Visuals HDSLR Bootcamp
Wow! What an amazing weekend. I am completely exhausted and that takes a lot! Our Bootcamp participants for this two-day intensive came from around the globe including: South America, Iceland, Italy, Mexico, South Africa, Hawaii and Puerto Rico! It was an inspiration to have such a variety of talented professionals…
The Making of The Carnival Sequence from “The Last 3 Minutes”
Episode III “Carnival” was on Day two of our four day shooting schedule. This day was a very ambitious one because we had four company moves. We started at the ranch house location, moved to meadow location, then on to the main street location for the street fight.








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