In the world of HDSLR technology, media management is a very important position. Every Elite Team member has held this position at some point during the untitled Navy Seal Movie to gain an understanding of HD image capture in a small footprint work-flow system.
Here is the breakdown for the Mountain Rescue portion of Navy Swimmer.
– 1-camera in deep water housing which captures underwater and split level shots
– 1-camera mounted on the Navy Swimmers helmet to capture him exiting the helicopter and being lowered down in between the rocks…
The Bandito Brothers Production Company has a very unique work flow. I have adopted the Bandito Brothers “Real Time” shooting module and combined it with “traditional” filming. Here is how we made it work for the Navy Swimmer commercial.
Imagine prepping, shot listing and then…
What a fun time it was last week at Emerson College! Professor Bosmajian’s advanced cinematography class was fantastic! I showed footage from the undercover Navy SEAL movie to have the students take each shot apart to analyze both the lighting and photography.
Josh came down to San Diego on Wednesday to join the me and the Elite Team for a 5am call. He stayed at the Indigo Hotel with us (my treat) the night before because I didn’t want him to have to drive all night for such an early shoot.
Technology has exploded since I graduated from Emerson in 1986. I am thrilled to go back to Boston on November 12, and share my passion for Canon 5D Mark II as a game changing tool for student filmmakers. It is an affordable…
The “Where’s the 5D” contest was so close that the winner Josh beat our runner up Tim by a single shot. Josh will claim his prize this Wednesday when he visits me on the set for the day.
We decided to add a runner up prize…
This exciting spot was directed by Mike McCoy of Bandito Brothers and the majority of it was shot in 3 nights! Even though Mouse (as he is affectionately known) is very talented, he had the help of an amazing team to make him shine.
WOW, ALL OF YOU ROCK !!!!!! Thank you so much. We had so many hits on Hurlbut Visuals with the 1080HD being viewed and downloaded that the server crashed at about 4:00am PST. You slayed the server, burnt the processor. FEEL GREAT ABOUT THAT.
Remember reading Where’s Waldo when you were a kid? We had so much fun playing a similar game to test your vision and your response was overwhelming! Thank-you for taking the time to play and making it so hard to choose a winner!
At Hurlbut Visuals, two of our core values are commitment and collaboration. We are helping to spread the word about director Joshua Sallach’s latest movie, an untitled “Dark Fairy Tale” project with Narrow Road Productions. Check out the inspiring story at http://www.nrpro.com/
The Untitled Navy SEAL movie has taken me to some of the most extreme working conditions that I have ever experienced in my career as a Director of Photography. We traveled to the following locations: the jungles of Costa Rica, the swamps of Mississippi…
Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and crews that ever. One way to meet that need is by increasing your speed without sacrificing quality. Specifically, when using Canon 5D Mark II camera for a project…
I remember being creative from the time that I was little. Perhaps it was from growing up in the middle of nowhere on a farm in central New York and the fact that I was an only child. I had to create my own fun.
I love lenses and examining the subtle differences with each one so I am confident in the resulting image.
Nikon lenses are sharp with a little softer contrast than the Zeiss lenses. The older A lenses are nice because they have a wider
Panavision Primo Primes are the ultimate lenses. They produce cinema film quality imagery that will blow you away. The contrast range is perfect because you have all of the highlight detail, as well as wonderful gradation into the shadows.
Lenses are one of the most critical choices when you are mounting the Canon 5D Mark II to a lens. Do not treat this camera like it is a film body. Remember to mount the camera to the lens, not the opposite.
When choosing a lens for the Canon 5D Mark II camera you have to consider the look and feel that you are trying to create for the final visual product. My team and I have tested and played with these lenses quite a bit and here is…
Shooting in Puerto Rico has tested the Canon 5D Mark II with intense humidity and rain. Yet, every time the camera has delivered.
We shot running footage of motorcycles speeding down roads, splitting traffic, and near misses by literally gaffer taping the Canon 5D to the motorcycle.
The Canon 5D Mark II is approximately 2.5 pounds with a still lens, 4.5″ high 3″ deep and 6″ long. Wow!
It is nimble and inexpensive so you can have multiple camera bodies working in different configurations simultaneously. Not being stuck with a traditional shoulder mount allows you to create a new visual language.