Sponsored By

The Making of The Janitor Sequence From “The Last 3 Minutes”
May04

The Making of The Janitor Sequence From “The Last 3 Minutes”

When Canon and Hurlbut Visuals teamed up on this joint venture, we wanted to put together a trilogy of Behind the Scenes videos where I narrated about what goes on inside my head as a cinematographer. We also wanted to show that even though there is a planning process…

Read More
HurlBlog Technology Guru: Mike McCarthy Part II
Apr24

HurlBlog Technology Guru: Mike McCarthy Part II

Here is the much anticipated post-production work flow blog that you have been asking for from Mike McCarthy, our technology guru. Please visit Mike’s site at hd4pc.com for even more in-depth technical information on the post-production work flow process.

Read More
The Making of “The Last 3 Minutes”
Apr16

The Making of “The Last 3 Minutes”

When Shane told me he wanted to shoot behind the scenes footage of “The Last 3 Minutes” I was very excited as I had only used the 5D MKII for narrative work. I knew that using the 5D for run and gun style documentary work might be a challenge and loved the idea of diving in head first.

Read More
"The Last 3 Minutes" Canon 5D 24p Firmware Shines
Apr07

"The Last 3 Minutes" Canon 5D 24p Firmware Shines

As the pressure from commercial production companies and the ad agencies started to inquire about needing 24p and that they could not deal with the rendering time of all the twixtor files, the 7D started to rise as the premium capture. That is when the aha moment happened for me. I thought, why is everyone asking for second best when the Canon 5D is king.

Read More
HurlBlog Technology Guru: Mike McCarthy Part I
Apr05

HurlBlog Technology Guru: Mike McCarthy Part I

I am Mike McCarthy, the Director of Technology at Bandito Brothers. I have been working with Bandito Brothers since the company started in 2006, and have been involved with projects using almost any format imaginable. (Film, SR, HDCam, XD, EX, P2, Red, Si2K, and DSLR among others) I work with many different hardware and software companies through their beta and development programs, to find the best solutions to the work flow problems presented by new formats and tools. I also document many of the solutions I come across on my own website hd4pc.com, and do occasional consulting work for companies that are trying to adapt their existing work flow to new tools and formats.

At Bandito Brothers, we have been working with Shane over the past year or so, to really push the Canon DSLR work flow to the limits. This is in regards to both visual quality and organizational efficiency, factors which are both critical to being able to scale the Canon DSLR video work flow up to larger projects. Hopefully the things we have learned from this process, and presented here, will be of benefit to others who are sure to find themselves in similar situations.

Read More
A Charity Poker Meet Up At NAB For Filmmakers
Apr02

A Charity Poker Meet Up At NAB For Filmmakers

I am not a great poker player so I was surprised when Benjamin emailed to ask me to be a part of this event allinfilm.org/ALL-INfilm.html on Monday evening 4/12 in Las Vegas at The Hard Rock Cafe during the week of NAB. Then, I learned the details that a portion of the proceeds benefit the American Red Cross for …

Read More
Color Correction: Put Your Best Foot Forward
Mar30

Color Correction: Put Your Best Foot Forward

My first experience with the 5D DI color correction was for the Terminator Webisodes produced by the Bandito Brothers through Wonderland Sound and Vision. McG asked me to be the Director/Cameraman for these alternative marketing shorts that were going on the Internet.

Read More
Keeping It Small
Mar15

Keeping It Small

I have been doing research on other sites recently and checking out the monster camera configurations that people are creating. I question if that is the right path based on the two things attracted me to this camera; the filmic looking sensor and the size.

Read More
Responsible Filmmaking
Mar04

Responsible Filmmaking

When I stumbled onto this HDSLR technology, I realized within minutes of using the technology that it was a “game changer” and the rulebook had to be thrown out and a new one created.

I thought if we can start a new rulebook…

Read More
Camera Stabilization
Feb22

Camera Stabilization

I walked into Samy’s Camera last week and a camera assistant was mounting gyros on the 5D to stabilize the camera. She was getting beaten up by the mount and said, “I cannot get this clamped on here.” I said “ Hi, I would love to help…

Read More
The Power of Focus
Feb12

The Power of Focus

Focus is probably one of the biggest obstacles that the 5D encounters. So many of our colleagues have questions and wonder why it is absolutely essential to have a focus puller. They are the backbone of this amazing technology. Shooting with practical…

Read More
Filtration: Beware Of The Reaper Of Cheap Glass
Feb10

Filtration: Beware Of The Reaper Of Cheap Glass

Making HD look like film has a cocktail and one of the essential ingredients to this flavorful recipe is Neutral Density. You have to keep your exposure on a 5D around a 5.6 to get that beautiful shallow depth of field. The 7D should be around…

Read More
Still Lenses That Can Grace The Big Screen
Feb06

Still Lenses That Can Grace The Big Screen

On the still lens front, you have a variety of options. I am addressing this topic from a 40 foot screen digital projection perspective, not a still photography one.

Zeiss ZE primes rock. Their resolution is spectacular and they are lightweight. Their focus is a little more cinematic then…

Read More
Cinema Style Lenses
Feb03

Cinema Style Lenses

I am back on land and ready to tear it up. The January newsletter has been a big success and I thank you all for your comments and suggestions. This is a collaborative effort and we value your input.

I have been getting many comments from people…

Read More
How A Strategic Team Makes You Shine
Jan23

How A Strategic Team Makes You Shine

I am frequently asked how we get so many set ups in a day and how we stay on schedule and budget while shooting. The answer is my Elite Team. I am nothing without my team and they make me shine everyday.

Read More
HurlBlog Sound Guru: Gene Martin
Jan17

HurlBlog Sound Guru: Gene Martin

We are so excited to feature our first guest blogger Gene Martin on the HurlBlog. Whenever I am asked about a specialty such as sound, specifically sound with the 5D, I turn to this expert to weigh in with what he feels is the best. Visit Gene’s website to…

Read More
Vincent LaForet, Canon and Vimeo Video Contest
Jan04

Vincent LaForet, Canon and Vimeo Video Contest

Vincent LaForet recently announced an exiting video contest where he is collaborating with Canon and Vimeo. I am excited to be one of the judges because I know the creative product will be amazing!

Here is an excerpt from Vincent…

Read More
Picture Style: How Do You Choose?
Dec27

Picture Style: How Do You Choose?

I am frequently asked about picture style. There are so many internet sites making RAW picture styles, Flat picture styles, Panavision Genesis Picture Styles and all the picture styles in between for the Canon 5D, 7D, and the 1D. It is confusing to know which one to choose and I…

Read More
Tim’s Visit To Bandito Brothers
Dec21

Tim’s Visit To Bandito Brothers

Tim was the second place winner for our “Where’s the 5D” online contest. He came to Bandito Brothers this week to meet me for lunch. It was an amazing experience for both of us! Tim is very bright with a vast knowledge of still photography. The day started out with Tim meeting Scotty Waugh, one of the directors of the untitled Navy SEAL movie. Then, Tim and I viewed a variety of scenes from the movie that have not...

Read More
A Media Manager Has Your Back
Dec16

A Media Manager Has Your Back

In the world of HDSLR technology, media management is a very important position. Every Elite Team member has held this position at some point during the untitled Navy Seal Movie to gain an understanding of HD image capture in a small footprint work-flow system.

Read More