In this special edition of the Digital Convergence Podcast, Chris Fenwick delves deep into the mind and vision of Po Chan – a remarkable visual story teller, artist, and director of both “The Last Three Minutes” and “The Ticket.”
“How is editing more than just ‘cutting’? What role does a colorist play in evoking emotion and meaning? How does a director bring the story to life and propel it forward by means of camera position and moves? What role does light play in breathing life into the film?
This interview of Po Chan by Chris Fenwick provides insight and commentary on these questions. You will enjoy the scene by scene breakdown by Po Chan as she explains her thinking – why it was framed, lit, shot, edited and graded as it was.
The Digital Convergence Podcast team thanks Po Chan for taking the time to talk with us and share her conversation with our listeners.”
Download (iTunes AAC):
Digital Convergence Episode 71 – iTunes/AAC
Download (MP3 version):
Digital Convergence Episode 71 – MP3
Here are some screen grabs, BTS stills, and video to accompany the discussion during the podcast:
We demo the power of the glass filter, including the ones that I use and their wonderful benefits.
I am frequently asked about picture style. There are so many internet sites making RAW picture styles, Flat...
We have had an outpouring of positive feedback on Po Chan’s film “The Ticket.” Everyone at Hurlbut Visuals wanted...
All of you have been so gracious with your comments about how much I help all of you and...
Speed and production value are intertwined. Production budgets are shrinking and companies are asking for more from cinematographers and...
The running scene in "The Ticket" that uses my song "Those Kisses" reminds me why I got into the...
Prepping a movie is one of the most important tasks you have as a cinematographer. You can design the...
One week ago I was slated to do two amazing car commercials for the Bandito Brothers, one for Yokohama...