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Frieder and I have worked together for over 20 years. He was instrumental in helping me first as gaffer and then as a director of photography expand my vision on every project. We have always bounced ideas and innovations off of one another. They are the go to lighting instrument for me because Kino’s can be a key light, a back light, a fill light, a gag light, a practical light, an effect light, light blue and green screens, you name it, they can do it. When you have a limited budget and crew, you need a light that can be 6 things not just one.